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The Men Who Knew Too Much
  • Language: en
  • Pages: 278

The Men Who Knew Too Much

  • Type: Book
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  • Published: 2012-02-13
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  • Publisher: OUP USA

The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James.

Transforming Henry James
  • Language: en
  • Pages: 479

Transforming Henry James

Employing a wide range of interpretive and theoretical approaches, this collection brings together distinguished James scholars from four continents to elicit new and exciting readings of a diverse array of James’s fiction and non-fiction. Through their transformative acts, the essays investigate James’s life-long engagement with cities, places, and tourist sites; offer theoretically informed readings of his work’s textual richness; and explore his intricate involvement with social and cultural issues, such as gender and sexuality, economics, friendship and hospitality, and visual culture. Arranged under rubrics which signal the complex interrelations of Henry James as a historical individual and of the works he authored with a web of social, cultural, aesthetic, and philosophical discourses, the contributions collected in this book make a convincing case for the ongoing productivity of James’s oeuvre when interrogated from new critical angles and, therefore, for its enduring centrality to the concerns of literary and cultural studies.

A Companion to the American Novel
  • Language: en
  • Pages: 708

A Companion to the American Novel

Featuring 37 essays by distinguished literary scholars, A Companion to the American Novel provides a comprehensive single-volume treatment of the development of the novel in the United States from the late 18th century to the present day. Represents the most comprehensive single-volume introduction to this popular literary form currently available Features 37 contributions from a wide range of distinguished literary scholars Includes essays on topics and genres, historical overviews, and key individual works, including The Scarlet Letter, Moby Dick, The Great Gatsby, Beloved, and many more.

Inexorable Yankeehood
  • Language: en
  • Pages: 321

Inexorable Yankeehood

This book analyzes the reciprocating collision between Henry James and American journalism during his 1904-1905 tour. It charts James' progress as he gathers the impressions upon which he will base his 'theory of America.' If James arrives as a 'restored absentee' seeking a renewed relationship with his homeland, the press greets his return with reverence for his status combined with disdain for his prose.

The Rivalrous Renaissance
  • Language: en
  • Pages: 292

The Rivalrous Renaissance

Envy and jealousy are the emotions that fuel interpersonal rivalry, and interpersonal rivalry is a cornerstone of literature. Emerging from growing scholarly interest in the history of emotion, The Rivalrous Renaissance is the first full-length study of envy and jealousy in Renaissance England. The book introduces readers both to the cultural dynamics of affective rivalry in the period and to how these crucial feelings inspired literary works across a wide range of genres, by luminary authors such as Philip Sidney, Edmund Spenser, Mary Wroth, William Shakespeare, and John Milton. Early modern concepts of envy and jealousy were more actively theorized as central components of human experience...

Collecting and Appreciating
  • Language: en
  • Pages: 226

Collecting and Appreciating

  • Categories: Art
  • Type: Book
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  • Published: 2010
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  • Publisher: Peter Lang

The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography.

Lewin's Cells
  • Language: en
  • Pages: 1078

Lewin's Cells

Completely revised and updated to incorporate the latest data in the field, Lewin's CELLS, Second Edition is the ideal resource for advanced undergraduate and graduate students entering the world of cell biology. Redesigned to incorporate new learning tools and elements, this edition continues to provide readers with current coverage of the structure, organization, growth, regulation, movements, and interaction of cells, with an emphasis on eukaryotic cells. Under the direction of three expert lead editors, new chapters on metabolism and general molecular biology have been added by subject specialist. All chapters have been carefully edited to maintain consistent use of terminology and to achieve a homogenous level of detail and rigor. A new design incorporates many new pedagogical elements, including Concept & Reasoning Questions, Methods boxes, Clinical Applications boxes, and more.

Ethical Aestheticism in the Early Works of Henry James
  • Language: en
  • Pages: 225

Ethical Aestheticism in the Early Works of Henry James

This study re-locates the work of Henry James by revealing parallels between the aestheticism of John Ruskin and that of James. It explores a mix of well-known fictional texts alongside James’s essays and tales, which are less frequently analysed, but which, nevertheless, offer important insights into James’s attitude to his artistic method. Tracing James’s early development in comparison with Ruskin’s, this book also explores German Romantic thought and the idealism of Kant, Goethe and Hegel. While examining the German connections with James, this study is also alert to James’s relations with Walter Pater and French realism, to which James became increasingly close in the mid-1880s. Rather than placing James within one single category, it demonstrates how James interfused Romanticism and realism in establishing his own form of aestheticism. Shedding light on James’s period of apprenticeship, this book therefore articulates the Victorian concept of ‘aestheticism’ as used by James and Ruskin.

Spider Web, Labyrinth, Tightrope Walk
  • Language: en
  • Pages: 298

Spider Web, Labyrinth, Tightrope Walk

Spider Web, Labyrinth, Tightrope Walk explores the shifting functions of the network as a metaphor, model, and as an epistemological framework in US American literature and culture from the 19th century until today. The book critically inquires into the literary, cultural, philosophical, and scientific rhetoric, values, and ideological underpinnings that have given rise to the network concept. Literature and culture play a major role in the ways in which networks have been imagined and how they have evolved as conceptual models. This study regards networks as historically emergent and culturally constructed formations closely tied with the development of knowledge technologies in the process of modernization as well as with an increasingly critical awareness of network technologies and infrastructures. While the rise of the network in scientific, philosophical, political and sociological discourses has received wide attention, this book contributes an important cultural and historical perspective to network theory by demonstrating how US American literature and culture have been key sites for thinking in and about networks in the past two centuries.

Henry James, Impressionism, and the Public
  • Language: en
  • Pages: 230

Henry James, Impressionism, and the Public

  • Type: Book
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  • Published: 2016-04-22
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  • Publisher: Routledge

Proposing a new approach to Jamesian aesthetics, Daniel Hannah examines the complicated relationship between Henry James's impressionism and his handling of 'the public.' Hannah challenges solely phenomenological or pictorial accounts of literary impressionism, instead foregrounding James's treatment of the word 'impression' as a mediatory unit that both resists and accommodates invasive publicity. Thus even as he envisages a breakdown between public and private at the end of the nineteenth century, James registers that breakdown not only as a threat but also as an opportunity for aesthetic gain. Beginning with a reading of 'The Art of Fiction' as both a public-forming essay and an aesthetic...