Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cosmograms
"Réalisé en collaboration avec Jean-Christophe Royoux, et basé sur une vingtaine d'entretiens réalisés spécialement pour cet ouvrage, le livre COSMOGRAMS est l'extension de SEVEN MINUTES BEFORE. Rejouant la structure du film (continuité simultanée, convergence), cette expérience rassemble divers propos autour de la notion d'"espace-monde" contemporain.
"Disassembled" Images
The canonical legacy of Allan Sekula in contemporary visual art “Disassembled” Images takes as a point of departure Allan Sekula’s productive approach of disassembling elements in order to reassemble them in alternative constellations. Some of the most pressing issues of our time, such as human labor in a globalized economy or the claim for radical democracy, are recurrent themes in Sekula’s oeuvre and are investigated by a wide range of experts in this book. Addressing a variety of artworks, both by Sekula and other artists, the collected essays focus on three crucial aspects within recent politically engaged art: collecting as a tool for representing folly and madness, the confront...
Vision, Memory and Media
The relationship among vision, memory, and media is of burgeoning interest to the arts, cultural studies, and sciences. This comprehensive introduction to the subject couples recent scientific research on memory with a broad cultural discussion about vision and media in the technological age. It features contributions by—and interviews with—artists and leading experts, among them Ali Hossaini, Lindsay Seers, media ecology expert Andrew Hoskins, and American cultural critic Norman Klein, illustrated by the works of contemporary artists whose practice exemplifies this dynamic. Clear, comprehensive, and up-to-date, Vision, Memory and Media presents the latest scientific and theoretical debates relating to memory studies, vision, and media.
Parallel Presents
Outgrowth of the author's thesis (doctoral--University of Melbourne, Australia).
Pedagogical Experiments in Architecture for a Changing Climate
This book presents a series of pedagogical experiments translating climate science, environmental humanities, material research, ecological practices into the architectural curriculum. Balancing the science and humanities, it exposes recent pedagogical experiments from renown educators, while also interrogating a designer’s agency between science and speculation in the face of climate uncertainty. The teaching experiments are presented across four sections: Abstraction, Organization, Building, and Narrative, exposing core parts of an architect’s education and how educators can simultaneously provide fundamental skills and constructive literacy while instigating environmental sensibilitie...
The Past is the Present; It's the Future Too
The term 'temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.
Dreamlands
A fascinating survey of pioneering work in experimental cinema and art from 1905 to the present day, revealing the high stakes and transformative potential of these forms This generously illustrated publication surveys the work of filmmakers and artists who have pushed the material and conceptual boundaries of cinema. Over the past century, the material, optical, abstract, spatial, and tactile properties of film have been tested at a level of experimentation and utopian ambition that is generally unrecognized. Whether creating synesthetic or 3-D environments, projective or non-projective installations, generations of leading-edge artists have explored how technology transforms experience. Th...
Futures of the Contemporary
Transdisciplinary approaches to the notions of “the contemporary” and “contemporaneity” Futures of the Contemporary explores different notions and manifestations of “the contemporary” in music, visual arts, art theory, and philosophy. In particular, the authors in this collection of essays scrutinise the role of artistic research in critical and creative expressions of contemporaneity. When distinguished from “the contemporaneous” of a given historical time, “the contemporary” becomes a crucial concept, promoting or excluding objects and practices according to their ability to diagnose previously unnoticed aspects of the present. In this sense, the contemporary gains a cr...
After Uniqueness
Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at on...
The Unhomely
Published in conjunction with the SecondInternational Biennial of Contemporary Art of Seville (Biacs 2), The Unhomely: Phantom Scenes in Global Society functions as more than simply a catalog for the exhibition. The book features essays by Judith Butler, Okwui Enwezor, Martin Heidegger, Thomas Keenan, Achilles Mbembe, Retort, Alberto Ruiz de Samaniego, Terry Smith, and Ruti Teitel, as well as featuring images from the artwork of the ninety-one artists featured in the biennial. Focusing on the contemporary confluence of aesthetics and politics, The Unhomely: Phantom Scenes in Global Society is concerned with the complexities of intimacy, proximity, antagonism, and renews the call for neighborliness in the present condition. Edited by Okwui Enwezor, Artistic Director of Biacs 2.
