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The Karl Muck Scandal
The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States. BEST CLASSICAL MUSIC BOOK RELEASE OF 2019 by Classical-music.com, the official website of BBC Music Magazine. 2019 SUMMER READS ABOUT CLASSICAL MUSIC by the Australian Broadcasting Corporation. 2019 BEST BOOK AWARD FINALIST in both the History and Performing Arts categories, sponsored by American Book Fest. 2019 SUBVENTION AWARD by the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation. One of the cherished na...
Epilogues and Aftermaths: Historically Forgotten Survivors and Consequences VOLUME ONE
Public attention and scrutiny has dimmed following most of these notable, tragic and publicized events, deaths and murders. Each included historical profile spawns a secondary tale concerning the surviving victims, intimate family coping with loss and the consequential aftermath. The edition highlights sixty momentous and obscure calamities and their profound effect on those left behind. In some instances the immediate trauma and impact has become lethal. In other instances, the road towards recovery has generated a profound influence on others. These accompanying survivor biographies are equally compelling and represent an important continuity to a larger perspective of understanding. Volum...
Rudolph Ganz, Patriotism, and Standardization of The Star-Spangled Banner, 1907-1958
This book examines the succession of events toward the potential standardization of the music for “The Star-Spangled Banner” from an initial letter to President Roosevelt in 1907 to the 1958 congressional hearings on the National Anthem, and the later work of the Swiss-Born American pianist, Rudolph Ganz. These events took place across five decades when a culture of public patriotism was especially pronounced for immigrant musicians. This book contextualizes the complementary experiences of a leading immigrant musician, Ganz, who successfully navigated the world of public patriotism while pursuing the realization of a standardized version. The materials are discussed through the lens of the performance practice. The legacy of standardization has not previously been examined. The response and actions of an immigrant, Ganz, in a culture of necessary patriotism for foreign-born artists shed important new light on this topic. It demonstrates the challenges, fears, and cultural expectations regarding the standardization of an important patriotic work.
Twisted Tour Guide Northern Virginia: Alexandria-Fredericksburg-Richmond
Evade the Tourist Herds and Enter Into An Insider’s Guide to Northern Virginia. Known and unknown history, hidden delights and fascinating stories pervade the history of Northern Virginia. This kaleidoscope of discovery, personalities, egos, scandals, conflict framed by sheer beauty creates a vivid tapestry defining over three centuries. This guide transports you to the precise famous and infamous locations where history occurred. The scenes may sometimes appear ordinary, weird, but often illuminate the physical background and descriptions behind events. Many of the narratives defy believability, yet they are true. This Twisted Tour Guide is your alternative to conventional travel. It acco...
Bernstein and Robbins
Leonard Bernstein and choreographer Jerome Robbins stand as giants of the musical-theatre world, but it was ballet that launched their stage careers and established their relationship. With Fancy Free (1944), their triumphant debut collaboration produced by Ballet Theatre, Bernstein, Robbins, and set designer Oliver Smith-all in their mid-twenties- captured the spirit of wartime New York, created a defining ballet of the period still widely performed today, and became overnight sensations. The hit musical On the Town (1944) and a now largely forgotten ballet, Facsimile (1946), followed over the next two years. Drawing extensively on previously unpublished archival documents, Bernstein and Robbins: The Early Ballets provides a richly detailed and original historical account of the creation, premiere, and reception of Fancy Free and Facsimile. It reveals the vital and sometimes conflicting role of Ballet Theatre, explores how Bernstein composed the scores, sheds light on the central importance of Oliver Smith, and considers the legacy of these works for all involved. The result is a new understanding of Bernstein, Robbins, and this formative period in their lives.
Twisted Tour Guide: Baltimore
Evade the Tourist Herds and Enter Into An Insider’s Baltimore. Known and unknown history, hidden delights and fascinating stories pervade the history of Baltimore. This kaleidoscope of discovery, personalities, egos, scandals and conflicts frame one of America’s oldest cities. This guide transports you to the precise famous and infamous locations where history occurred. The scenes may sometimes appear ordinary, weird, but often illuminate the physical background and descriptions behind events. Many of the narratives defy believability, yet they are true. This Twisted Tour Guide is your alternative to conventional travel. It accommodates the restless visitor, tourist and resident seeking ...
Narrative and Robert Schumann's Songs
Featuring 28 music examples this book takes an innovative approach to analyzing and interpreting nineteenth-century German song, offering new perspectives on Robert Schumann's Lieder and song cycles. Robert Schumann's Lieder are among the richest and most complex songs in the repertoire and have long raised questions and stimulated discussion among scholars, performers, and listeners. Among the wide range of methodologies that have been used to understand and interpret his songs, one that has been conspicuously absent is an approach based on narratology (the theory and study of narrative texts). Proceeding from the premise that the performance of a Lied is a narrative act, in which the singe...
The Reminiscences and Selected Criticism of Herbert Thompson
This book is a critical edition of the autobiography and selected musical criticism of Herbert Thompson (1856–1945) who was chief music critic at The Yorkshire Post from 1886 until 1936, and Yorkshire correspondent for the Musical Times.
The Cambridge Companion to E. M. Forster
A collection of essays on the life and work of E. M. Forster.
Leonard Bernstein and Washington, DC
Composer, conductor, activist, and icon of twentieth-century America, Leonard Bernstein (1918-90) had a rich association with Washington, DC. Although he never lived there, the U.S. capital was the site of some of the most important moments in his life and work, as he engaged with the nation's struggles and triumphs. By examining Bernstein through the lens of DC, this book offers new insights into his life and music from the 1940s through the 1980s, including his role in building DC's artistic landscape, his political-diplomatic aims, his works that received premieres and other early performances in DC, and his relationships with the nation's liberal and conservative political elites. The co...
