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Suitable for developing literacy and or ESL skills. From the movie where alien terrorists are disguised as humans.
From the late Eighties onwards, one football gang dominated the hooligan world. Older, harder and better organised than their foes, they travelled everywhere and feared no-one. After one spectacular street victory, vanquished rivals gave them the name that became a byword for soccer violence: The Men In Black. Manchester United's hooligan mob had long caused mayhem, but in 1989 their hardcore was the target of a massive undercover police investigation, codenamed Operation Mars. It focused on the most infamous of the firm's members, including its `general', Tony O'Neill, and led to more than thirty arrests. But when the trial collapsed, the firm returned to the fray, wiser, more cunning and more ruthless than ever. They went on to defend their fearsome reputation against the toughest outfits in Britain: the Soul Crew, the Zulu Warriors, the Boro Frontline and the ICF. And they were never defeated. Covering the crucial period 1988-2005, The Men In Black recounts these stories and many more, told by those who were there, those who were involved in the hand-to-hand, close quarter battles and notably, the man police called Target Kilo: Tony O'Neill.
Concentrating on the general shift away from color that began around 1800, Harvey traces the transition to black from the court of Burgundy in the fifteenth century, through sixteenth-century Venice, seventeenth-century Spain and the Netherlands. He uses paintings from Van Eyck and Degas to Francis Bacon, religious art, period lithographs, wood engravings, costume books, newsphotos, movie stills and related sources in his compelling study of the meaning of color and clothes.
A compelling, surprising new show that turns a spotlight onto Britain's missing histories. Dedicated to the Black Men's Walking Group. Thomas, Matthew and Richard walk. They walk the first Saturday of every month. Walking and talking. But this walk... Maybe they should have cancelled, but they needed the walk today. Out in the Peaks, they find themselves forced to walk backwards through two thousand years before they can move forwards.
Two elite cops, members of a secret organization monitoring alien activity on Earth, set out to stop Edgar, a deadly intergalactic terrorist out to assassinate two ambassadors from opposing galaxies, before he can destroy the planet.
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
An investigation into the legendary black-garbed entities from the “Brit with a knack for ferreting out all the dope on outrageous subjects” (Jim Marrs, bestselling author of Alien Agenda). The Men in Black were elevated to superstar status in 1997 in the hit movie of the same name. Although the Hollywood blockbuster was fiction, the real Men in Black have consistently attempted to silence the witnesses of UFO and paranormal phenomena since the 1950s. In The Real Men in Black, author Nick Redfern delves deep into the mysterious world of these mysterious operatives. He reveals their origins and discusses classic cases, previously unknown reports, secret government files, and the many theories that have been presented to explain the mystery. Highlights of The Real Men in Black include: The story of Albert Bender, the first man to claim an encounter with the Men in Black The involvement of the MIB in the Mothman saga that dominated the town of Point Pleasant, West Virginia in the 1960s Encounters with the MIB at the site of one of the world’s most famous monsters: Loch Ness Exclusive interviews with leading researchers of the MIB phenomenon.
Mutilated, dying or dead, black men play a role in the psychic life of culture. From national dreams to media fantasies, from sensual intimacy to outpourings of murderous violence, there is a persistent imagining of what black men must be, a demand that black men perform a script, becomeinterchangeable with the uncanny, deeply unsettling, projections of culture. This powerful and compelling study explores the legacy of that role, particularly its violent effect on how black men have learned to see themselves and one another. David Marriott draws upon a range of examples, from lynching photographs to recent Hollywood films, as well as the ideas of keythinkers including Frantz Fanon, Richard Wright, James Baldwin and John Edgar Wideman, to reveal a vicious pantomime of unvarying reification and compulsive fascination, of whites taking a look at themselves through images of black desolation, and of blacks intimately dispossessed by that self-samelooking. On Black Men is a bold and original exploration of what it means to be black and male in contemporary Europe and America.
This book offers a corrective to pathological and stereotypical representations of mixedness generally, and Black mixed-race men specifically. By introducing the concept of ‘post-racial’ resilience the book shows that Black mixed-race men are active and agentic as they resist the fragmentation and erasure of multiplicitous identities.
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