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MAD works in forward-looking environments developing futuristic architecture based on a contemporary interpretation of the eastern spirit of nature. All of MAD's projects - from residential complexes or offices to cultural centres - desire to protect a sense of community and orientation toward nature, offering people the freedom to develop their own experience. Founded in 2004 by Ma Yansong, the office first earned worldwide attention in 2006 by winning an international competition to design a residential tower near Toronto, expected to be completed in the summer of 2012. MAD has been commissioned by clients of all backgrounds, leading to an intriguing combination of diverse project designs. MAD's ongoing projects include two major cultural projects in Harbin: the China Wood Sculpture Museum and Harbin Culture Island, an opera house and cultural center that will retain the original wetlands as an urban park between the old and new city. MAD is led by Ma Yansong, Dang Qun and Yosuke Hayano. They have been awarded the Young Architecture Award from the New York Institute of Architects in 2006 and the 2011 RIBA international fellowship.
"A cool, comic survey of the sexual education of a young Hungarian, from his first encounter, as a twelve-year-old refugee with the American forces, to his unsatisfactory liaison with a reporter's wife in Canada at the belated end of his youth, when he was twenty-three . . . elegantly erotic, with masses of that indefinable quality, style . . . this has the real stuff of immortality."—B. A. Young, Punch "A pleasure. Vizinczey writes of women beautifully, with sympathy, tact and delight, and he writes about sex with more lucidity and grace than most writers ever acquire."—Larry McMurtry, Houston Post "Like James Joyce, who was as far from being a writer of erotica as Dostoevsky, Vizinczey...
What happened in Spanish American fiction after the Boom? Can we define the Post-Boom? What are its characteristics? How does it relate to the Boom itself? Is Post-Boom the same as Postmodernism or something quite different? Shaw traces the emergence of a different kind of writing which began to displace the Boom in the mid-1970s and has flourished ever since. More reader-friendly, more concerned with the here and now of Latin America, the writers of the Post-Boom have explored new areas of Spanish American life and incorporated characters from new social groups, especially young working-class and lower middle-class figures with their distinctive "pop" culture and freewheeling life-style. Shaw suggests that, while some Boom writers have moved toward the Post-Boom, Post-Boom narrative is distinctively different from that of the older movement and cannot be readily assimilated into Postmodernism.
"Brilliantly inventive, written with great flair and shows a deliciously comic and ironic sense of American realities."—Alfred Kazin "The virtues of [Vizinczey's] style are those he finds in Hungarian poetry: the moody ferocity of a locked-up beast, and also a classic clarity and complete lack of self-indulgence."—Thomas D'Evelyn, Christian Science Monitor "Shows where the true values lie—not in wealth or the rule of law but in that as yet inviolate sector where a man and woman make love. . . . I was entertained but also deeply moved: here is a novel set bang in the middle of our decadent, polluted, corrupt world that, in some curious way, breathes a kind of desperate hope."—Anthony Burgess, Punch (London) "Bravo!"—Graham Greene
This detailed, chronological study investigates the rise of the European fascination with the Chinese language up to 1615. By meticulously investigating a wide range of primary sources, Dinu Luca identifies a rhetorical continuum uniting the land of the Seres, Cathay, and China in a tropology of silence, vision, and writing. Tracing the contours of this tropology, The Chinese Language in European Texts: The Early Period offers close readings of language-related contexts in works by classical authors, medieval travelers, and Renaissance cosmographers, as well as various merchants, wanderers, and missionaries, both notable and lesser-known. What emerges is a clear and comprehensive understanding of early European ideas about the Chinese language and writing system.
The final installment in the critically-acclaimed trilogy on globalization and art explores the growing dominance of Asian centers of art This book takes readers on a fascinating journey around five Asian centers of contemporary art and its myriad institutions, agents, forms, materials, and languages, while posing vital questions about the political economy of culture and the power of visual art in a multi-polar world. He analyzes the financial powerhouse of Art Basel Hong Kong, new media art in South Korea, the place of the Kochi Biennale within contemporary art in India, transnational art and art education in China, and the geo-politics of art patronage in Palestine, and he develops a high...
Children of Marx and Coca-Cola affords a deep study of Chinese avant-garde art and independent cinema from the mid-1990s to the beginning of the twenty-first century. Informed by the author’s experience in Beijing and New York—global cities with extensive access to an emergent transnational Chinese visual culture—this work situates selected artworks and films in the context of Chinese nationalism and post-socialism and against the background of the capitalist globalization that has so radically affected contemporary China. It juxtaposes and compares artists and independent filmmakers from a number of intertwined perspectives, particularly in their shared avant-garde postures and percep...
Cuban studies is a highly dynamic field shaped by the country's distinctive political and economic circumstances. Mauricio A. Font and Carlos Riobo offer an up-to-date and comprehensive survey offering the latest research available from a broad array of disciplines and perspectives. The Handbook of Contemporary Cuba brings contributions from leading scholars from the United States, Cuba, Europe, and other world regions and introduces the reader to the key literature in the field in relation to rapidly changing events on the island and in global political and economic affairs. It also addresses timely developments in Cuban civil society and human rights. The guide also presents economic models and forecasts as well as analyses of the recent, pivotal Sixth Congress of the Communist Party of Cuba. For students, scholars, and experts in government, it is a vital addition to any collection on Latin American studies or global politics.
Published directly by author - http://stephenvizinczey.com/ This ebook edition is a revised and expanded version of the printed book, including many essays which previously appeared only in recent foreign language editions. "I don't usually review older books in this space, but I decided to make an exception for this classic book of reviews and essays ... he is a remarkable writer of enormous personality and skill as this book of essays, and his own classic novel, In Praise of Older Women: The Amorous Recollections of András Vajda, attests. Writers will thrill to read his enabling and energizing “Ten Commandments,” and reviewers would gain much from his own loosely-styled criticism so d...
This book examines Chinese films made and shown abroad roughly between the 1920s and the 2020s, from the beginning of the international exchange of the Chinese national film industry to the emergence of the concept of soft power. The periodisation of Chinese cinema(s) does not necessarily match the political periods: on the one hand, the technical development of the film industry and the organisation of translation in China, and on the other hand, official relations with China and translation policies abroad impose different constraints on the circulation of Chinese films. This volume deals with the distribution and translation of films from mainland China, Taiwan, Hong Kong, and the Chinese...