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Early Modern Dynastic Marriages and Cultural Transfer
Toward the end of the fifteenth century, the Habsburg family began to rely on dynastic marriage to unite an array of territories, eventually creating an empire as had not been seen in Europe since the Romans. Other European rulers followed the Habsburgs' lead in forging ties through dynastic marriages. Because of these marriages, many more aristocrats (especially women) left their homelands to reside elsewhere. Until now, historians have viewed these unions from a primarily political viewpoint and have paid scant attention to the personal dimensions of these relocations. Separated from their family and thrust into a strange new land in which language, attire, religion, food, and cultural pra...
Philip IV and the World of Spain's Rey Planeta
Did Spain fall into decline or flourish in the seventeenth century? This edited collection looks at perceptions and representations of Philip IV, Spain's 'Planet King', and his government against the backdrop of the seventeenth-century General Crisis in Europe, wars, revolutions and a sovereign debt crisis. Scholars often associate Philip's reign (1621-1665) with decline, decadence, crisis, stagnation and adversity (as did many contemporaries); yet the glittering cultural and artistic achievements (enhanced by his patronage) of the period led it to be dubbed 'the' Golden Age. The book analyses these contradictions, examining Philip's own understanding of kingship and how he and his courtiers used art and ceremony to project an image of strength, tradition, culture and prestige, while, at the same time, the empire grappled with revolts in Europe and falling trade with its New World colonies.
Architectural Temperance
Architectural Temperance examines relations between Bourbon Spain and papal Rome (1700-1759) through the lens of cultural politics. With a focus on key Spanish architects sent to study in Rome by the Bourbon Kings, the book also discusses the establishment of a program of architectural education at the newly founded Real Academia de Bellas Artes de San Fernando in Madrid. Victor Deupi explores why a powerful nation like Spain would temper its own building traditions with the more cosmopolitan trends associated with Rome; often at the expense of its own national and regional traditions. Through the inclusion of previously unpublished documents and images that shed light on the theoretical debates which shaped eighteenth-century architecture in Rome and Madrid, Architectural Temperance provides readers with new insights into the cultural history of early modern Spain.
Aurora
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On Art and Painting
The only volume on the work of Vicente Carducho in English Analysis of the Dialogues on Painting by international experts Contributors are art historians or hispanists, offering a multi-disciplinary approach
The Influence of Italian Culture on the Sevillian Golden Age of Painting
This book explores the cultural exchange between Italy and Spain in the seventeenth century, examining Spanish collectors’ predilection for Italian painting and its influence on Spanish painters. Focused on collecting and using a novel methodology, this volume studies how the painters of the Sevillian school, including Francisco Pacheco, Diego Velázquez, Alonso Cano and Bartolomé Esteban Murillo, perceived and were influenced by Italian painting. Through many examples, it is shown how the presence in Andalusia of various works and copies of works by artists such as Michelangelo, Caravaggio and Guido Reni inspired famous compositions by these Spanish artists. In addition, the book delves into the historical, political and social context of this period. The book will be of interest to scholars working in art history, Renaissance studies, and Italian and Spanish history.
Making and Moving Sculpture in Early Modern Italy
In recent years, art historians have begun to delve into the patronage, production and reception of sculptures-sculptors' workshop practices; practical, aesthetic, and esoteric considerations of material and materiality; and the meanings associated with materials and the makers of sculptures. This volume brings together some of the top scholars in the field, to investigate how sculptors in early modern Italy confronted such challenges as procurement of materials, their costs, shipping and transportation issues, and technical problems of materials, along with the meanings of the usage, hierarchies of materials, and processes of material acquisition and production. Contributors also explore the implications of these facets in terms of the intended and perceived meaning(s) for the viewer, patron, and/or artist. A highlight of the collection is the epilogue, an interview with a contemporary artist of large-scale stone sculpture, which reveals the similar challenges sculptors still encounter today as they procure, manufacture and transport their works.
A Companion to Early Modern Naples
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contr...
Ambassadeur de deux couronnes
La mort de Charles II d'Espagne en 1700 et la guerre de Succession d'Espagne qui s'ensuit bouleversent toute l'Europe dont la carte en ressort transformée en 1714. Les monarchies de France et d'Espagne, longtemps rivales et concurrentes, sont devenues des alliées grâce à des souverains issus d'une même maison royale. L'ensemble de leurs relations est durablement modifié par cette alliance étroite que l'on ne tarde pas à dénommer « l'union des couronnes », nouveau cadre politique qu'il faut concevoir, mettre en pratique et défendre. Amelot de Gournay, ambassadeur de Louis XIV à Madrid, incarna la forme la plus aboutie de ces nouvelles relations. Cette étude retrace les objectifs, les succès et les échecs d'une politique à partir de sa mise en oeuvre durant un conflit qui fut aussi une guerre civile, motivé également par des impératifs commerciaux et coloniaux.
