Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Skin in HIV
HIV infection involves all systems of our body and diseases manifest in atypical and severe forms leading to lot of morbidity and mortality. Skin being the largest organ of the body and with mucous membranes, it is the main portal of HIV infection. There is a lot of scope for research in the field of HIV and AIDS, and there is a need for an updated literature that would throw a light on the efficient diagnosis and management of cutaneous manifestations in HIV disease. Hence we are bringing out this eBook which is a comprehensive literature on HIV and its various cutaneous manifestations in its entirety. In this eBook we have provided extensive data and information on various skin related inf...
Media Studies 2.0
Media Studies 2.0 offers an exploration of the digital revolution and its consequences for media and communication studies, arguing that the new era requires an upgraded discipline: a media studies 2.0. The book traces the history of mass-media and computing, exploring their merger at the end of the twenty-century and the material, ecological, cultural and personal elements of this digital transformation. It considers the history of media and communication studies, arguing that the academic discipline was a product of the analogue, broadcast-era, emerging in the early twentieth century as a response to the success of newspapers, radio and cinema and reflecting that era back in its organisati...
The Twentieth Century German Art Exhibition
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
Art Worlds
None
