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300 let Academia philharmonicorum Labacensium (1701–2001)
Zbornik prinaša referate z istoimenskega mednarodnega simpozija, ki je potekal 25. in 26. oktobra 2001 v Ljubljani. Namen zborovanja je bil slovesno obuditi spomin na to pomembno akademsko filharmonično ustanovo in opozoriti na njeno vpetost v glasbeno poustvarjanje tako na Slovenskem kot v evropskem kontekstu. Sedemnajst referentov iz šestih držav je poudarilo pomen kontinuitete tristoletnega razvoja orkestrskega oziroma simfoničnega poustvarjanja na Slovenskem, čeprav z nekaj prekinitvami, in s tem oblikovanja tradicije.
Opera as Institution
This volume brings together ten essays focusing on the diversity of operatic institutions, their protagonists, and historical fortunes in Europe from 1730 to 1917. Its aim is not to understand operatic institutions as locally distinct and isolated organizations, but rather to perceive them as a part of a historically fluctuating, transnational network: a network that was shaped among other things by individual professionals and groups in the opera business (and beyond), as well as by specific socio-cultural and political surroundings. The volume offers new perspectives on a wide range of topics, including networks of cultural exchange, singers as agents in shaping institutional structures, and the influence of socio-cultural, diplomatic, and political factors on operatic production across international borders.
Isaac Posch "Diditus eois hesperiisque plagis--Praised in the lands of dawn and sunset"
Isaac Posch (c. 1591-1622/23), «praised in the lands of Dawn and Sunset», was an intriguing early seventeenth-century composer, one of those still little-researched Kleinmeister who forged the musical culture now considered as a European heritage. Between 1618 and 1623 Posch committed to print in Regensburg and Nuremberg three musical collections: two of instrumental dance music and one with small-scale Latin concertato motets. The dances of his print entitled Musicalische Ehrenfreudt were intended for actual dancing, a practical aspect that the book also considers. Taken as a whole, Posch's music constitutes a most interesting instance of the merging of elements taken from various European styles: German, Italian and even English. This monograph is a revised and enlarged English version of the Slovenian original, first published in 1999 and based on the author's award-winning dissertation at the University of Ljubljana.
Glasbeni barok na Slovenskem in evropska glasba
V zborniku so zbrane razprave, ki so bile predstavljene na mednarodnem simpoziju, posvečenem spominu na akademika Dragotina Cvetka (1911–1993). Poglavitna pozornost je veljala slovenskemu glasbenemu baroku, ki se je razvijal vzporedno s takrat napredno evropsko glasbo. To problematiko uvajata prispevka o estetski normiranosti in posebej o zgodnjebaročni problematiki (M. Bergamo, B. Bujič). Teme osrednjega dela zbornika segajo od razvojnih značilnosti baročnega obdobja s periodizacijo (I. Klemenčič) do ustvarjalnih prispevkov posameznih skladateljev (M. Kokole, B. Šinigoj, T. Faganel). Posebej je osvetljena problematika glasbenega poustvarjanja (J. Sivec, K. Bedina, E. Škulj). Interdisciplinarni vidik zajema področji slovenske literature in umetnostne zgodovine (J. Faganel, D. Prelovšek), mednarodni sega zlasti k bližnjim srednjeevropskim glasbenim kulturam (R. Flotzinger, J. Sehnal, K. Kos, S. Tuksar).
A History of Baroque Music
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries
A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of the Habsburg family’s musical patronage over a broad span of time.
