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Something, Some Things, Something Else
  • Language: en

Something, Some Things, Something Else

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

‘My desire is to make a piece with nothing.’ This quest inspired the performance artist Mette Edvardsen to make a series of solo works, from Black to No Title and We to be to oslo. The trail of booklets, postcards and ephemera published in their margins provided writer Jeroen Peeters with a particular lense to look into Edvardsen’s detailed world. The encounter yielded three collections for Mette Edvardsen, essays that honour the literary tradition of composing with fragments and loose ends in search of something. Trying to do as little as possible so that a sense of something else might occur – what’s the space of reading such writing? Jeroen Peeters is an essayist, dramaturg and performer working across the media of writing, not-writing, performance and publication. He writes about art and matters such as ecologies of attention, material literacy, readership, commoning and sustainable development.

One long continuous line or a thought that dissolves into the distance
  • Language: en

One long continuous line or a thought that dissolves into the distance

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

None

Performance-Brussels; Mette Edvardsen; Time Has Fallen Asleep in the Afternoon Sunshine
  • Language: en
Merce Cunningham
  • Language: en
  • Pages: 188

Merce Cunningham

  • Type: Book
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  • Published: 2019-06-18
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  • Publisher: Song Cave

On the occasion of Merce Cunningham's centennial comes this handsome new edition of his classic and long-out-of-print artist's book Changes: Notes on Choreography, first published in 1968 by Dick Higgins' Something Else Press. The book presents a revealing exposition of Cunningham's compositional process by way of his working notebooks, containing in-progress notations of individual dances with extensive speculations about the choreographic and artistic problems he was facing. Illustrated with over 170 photographs and printed in color and black and white, the book was described by its original publisher as "the most comprehensive book on choreography to emerge from the new dance ... [which] ...

Not Not Nothing
  • Language: en

Not Not Nothing

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

None

We to be
  • Language: en
  • Pages: 45

We to be

  • Type: Book
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  • Published: 2015
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  • Publisher: Unknown

None

Every now and then
  • Language: en

Every now and then

  • Type: Book
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  • Published: 2010
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  • Publisher: Unknown

None

Time Has Fallen Asleep in the Afternoon Sunshine
  • Language: en

Time Has Fallen Asleep in the Afternoon Sunshine

  • Type: Book
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  • Published: 2012
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  • Publisher: Unknown

None

Time Has Fallen Asleep in the Afternoon Sunshine
  • Language: en
  • Pages: 536

Time Has Fallen Asleep in the Afternoon Sunshine

  • Categories: Art
  • Type: Book
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  • Published: 2020-07-21
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  • Publisher: Unknown

Artists and theorists reflect on a "living library" project--people who memorize and recite books This book documents a project in which a group of people memorize a book of their choice, forming a library of "living books."

Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture Volume 2
  • Language: en
  • Pages: 288

Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture Volume 2

  • Type: Book
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  • Published: 2021-11-30
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  • Publisher: Unknown

The Department of Speculative Facts connects two seemingly contradictory approaches: Speculation which attempts to think and act beyond existing knowledge and structures, and fact-checkers in search for a solid consensus on which our reality can be built. When stretching knowledge and speculating with fiction, what sense of responsibility is needed in times of democratized opinions and fake news? Learning from the other SF?Science Fiction?we think of speculation through facts, and facts through speculation, to situate truth culturally.00The backbone of this book is an e-mail exchange between two fact-checkers from the New York Times Magazine, which we handed over to artists to re-write, re-perform, and re-design. The publication includes the original letters, workshop scripts, as well as additional texts by philosophers, journalists, writers, and artists looking at new social contracts, with which we can anchor ourselves in the present.