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New package for a cult classic. First published in 2003, The Book of Lies was hailed as a 21st grimoire and instantly became a cult classic. Now reformatted for the next generation of magicians and all counterculture devotees, it gathers an unprecedented cabal of occultists, esoteric scholars, and forward thinkers, all curated by Disinformation's former "wicked warlock" Richard Metzger. This compendium of the occult includes entries on topics as diverse and dangerous as Aleister Crowley, Secret Societies, Psychedelics, and Magick in theory and practice. The result is an alchemical formula that may well rip a hole in the fabric of your reality: Terence McKenna asks if we contact "aliens" with...
Bringing together more than 350 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger (1926-2017) as one of the towering figures of the 20th century, a long-overdue recognition of Metzger's influential vision. Renowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction and renewal, Metzger was also a prolific writer, theoretician and satirist. His interest in technology and science and his anti-nuclear activism influenced his development of the concepts of auto-destructive and auto-creative art, terms he coined with his manifestos on "Auto-Destructive Art" in 1959 and...
Gustav Metzger's artistic production finds its base in topical political, economic, and ecological themes. For example, in his manifestos and demonstrations he reacts to the threat posed by the global nuclear arms race, which he also has opposed in a political context since 1956. His auto-destructive art concept, an aesthetic "thematisation" of the twentieth century's destructive potential, was intended as an attack on the capitalist system and the art industry.
The articles on the church and ecumenism in this Festschrift celebrate Professor Fahey's contributions, accomplishments and gifts to the academy and the Church. They reflect his sensitivities and spirituality as a friend and pastor, his support for the many voices in the church, his engagement and mentoring of several generations of students and scholars, his demand for honest and critical scholarship, and his deep desire for a spirit of Christian unity among us all.
Groundbreaking historical and international anthology of women's prison writings.
Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world. During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.
Miss Muffett is missing... and Detective Blue is on the case! "Today was like any other day. The dish ran away with the spoon. Little Boy Blue is all grown up, and he's a detective working to find Miss Muffet. Join in the fun as Detective Blue tries to solve the mystery with the help of his nursery rhyme friends.
50 Ways to Wake Your Human is the second collection of cat cartoons by Scott Metzger. Cat lovers will appreciate the comics, which highlight the ridiculous behavior of felines (and humans) through topics such as music, social media, parenthood, relationships, and living in quarantine. This book will make you laugh, smile, and further appreciate our weird, furry friends who wake us up in the wee hours of the morning.
Act or Perish! accompanies the first extensive overview of Auto-Destructive art pioneer Gustav Metzger (born 1926), organized in 2015-16 at the Centre of Contemporary Art in Torun and Kunsthall Oslo and Stiftelsen Kunstnernes Hus in Oslo. The exhibition catalog provides readers with a rich array of theoretical contributions, including a conversation between Dobrila Denegri and Yoko Ono, Ivor Davies, Hermann Nitsch and Jon Hendricks, as well as Metzger's own writings. Essayists Pontus Kyander, Andrew Wilson, Mathieu Copeland, Dobrila Denegri, Leanne Dmyterko, Hans Ulrich Obrist and Manuel Olveira take up different aspects of Metzger's work, from the artist's early political activism to his experimentation with painting and his drafting of the manifestos for Auto-Destructive Art, providing an invaluable and much-awaited document of a pioneer of postwar art.
Auto-destructive art is a comprehensive theory for action in the field of the plastic arts in the post-second world war period. The action is not limited to theory of art and the production of art works. It includes social action. Auto-destructive art is committed to a left-wing revolutionary position in politics, and to struggles against future wars.' (Gustav Metzger, introduction to Auto-Destructive Art: Metzger at AA) Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965. This new edition is published 50 years on since its original printing in June 1965 by the AA's Action Communications Centre (A.C.C), reigniting Metzger's urgent and ever-relevant arguments which confront society's obsession with destruction and the detrimental effects of machinery on human life.'