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"Octavio Paz probes the mystery of pre-Columbian art--it's 'otherness', its unique concept of time--and connects it to the ideas of Baudelaire and Nietzsche. He tells the estory of Hermenegildo Bustos, a self-taught painter in a remote Mexican village, and compares his work to the sarcophagi portraits of the Egyptian Fayum. He demonstrates how the Mexican muralists--Rivera, Siqueiros, Orozco--were influenced by European Cubism, Fauvism, Expressionism, and how they in turn influenced American painters, Gorky, Rothko, Pollock. The abstract art of Tamayo evokes for him the music of Bela Bartók, and the canvases of María Izquierdo suggest the poetry of Apollinaire. In these fourteen wide-ranging essays, Paz makes art, philosophy, religion, and the history of the world converge as he celebrates the richness of Mexico"--Publisher's description, p. [2] of dust jacket.
Western business owners and managers are increasingly interested in doing business in Mexico. Yet few have thoroughly investigated the country's business climate and culture. This collection of new essays by contributors who work in and research the business culture of Mexico takes a combined academic and real-world look at the country's vibrant and dynamic commerce. Topics include business and the government, conceptions of time, Mexican entrepreneurialism and the place of women in business. Instructors considering this book for use in a course may request an examination copy here.
This second Small Wars JournalEl Centro anthology signifies the important debate that this new forum, focusing on the crime wars and criminal insurgencies taking place in Mexico and other regions of the Americas, is helping to generate in U.S. defense and homeland security circles. The debate comes at a time when neither of the two major U.S. presidential candidates were willingly to candidly discuss this issue and at the end of the recent Felipe Caldern administration which saw over 80,000 dead, 20,000 missing, and 200,000 internal refugees stemming from gang and cartel violence during its tenure in Mexico. Dave Dilegge SWJ Editor-in-Chief
An anthology of essays dating from the 1890s and presenting a Mexican national outlook.
This book is a collection of essays on the Mexican transition to democracy that offers reflections on different aspects of civic culture, the political process, electoral struggles, and critical junctures. They were written at different points in time and even though they have been corrected and adapted, they have kept the tension and fervour with which they were originally created. They provide the reader with a vision of what goes on behind those horrifying images that depict Mexico as a country plagued by narcotrafficking groups and subjected to unbridled homicidal violence. These images hide the complex political reality of the country and the accidents and shocks democracy has suffered.
This volume collects the work of prominent art critics, art historians, and literary critics who study the art, lives, and times of the leading Mexican muralists José Clemente Orozco, Diego Rivera and, among other artists, David Alfaro Siqueiros. Written exclusively for this book in English or in Spanish, and with a full-length introduction (in English), the selected essays respond to a surging interest in Mexican mural art, bringing forth new interpretations and perspectives from the standpoint of the 21st century. The volume’s innovative and varied critical approaches will be of interest to a wide readership, including professors and students of Mexican muralism, as well as the speculative reader, public libraries, and art galleries around the world.
Essential essays from “one of the most prolific, provocative, and pre-eminent historians working in the field of Mexican and Latin-American history today” (Susan Deans-Smith, author of Bureaucrats, Planters, and Workers). This collection brings together a group of important and influential essays on Mexican history and historiography by Eric Van Young, a leading scholar in the field. The essays, several of which appear here in English for the first time, are primarily historiographical; that is, they address the ways in which separate historical literatures have developed over time. They cover a wide range of topics: the historiography of the colonial and nineteenth-century Mexican and L...
RetroSpace is a collection of the seminal articles of the noted critic Bruce-Novoa on the history and theory of Chicano literature.