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For Now is the result of film-maker Michael Almereyda's year-long rummage through the Eggleston archives, a remarkable collection of heretofore unseen images spanning four decades of work by one of our seminal artists. Unusual in its concentration on family and friends, the book highlights an air of offhand intimacy, typical of Eggleston and typically surprising. Afterword by Michael Almereyda, with additional texts by Lloyd Fonvielle, Greil Marcus, Kristine McKenna and Amy Taubin.
This study of playbooks was completed in the last days of President Donald J. Trump's first administration. As a consequence, the final result of Trump's playbook to get reelected is not known. This history provides a comparison of how both Hitler and Trump achieved their goal of attaining or maintaining power through a playbook and in the case of Trump it can predict his future actions. The book is based upon the works of scholars but more important are the first-hand accounts of people closely associated with these principals such as Heinz Guderian, Hitler's Chief of the General Staff and his personal secretary, Traudl Junge. First-hand accounts of Donald Trump during his presidency are provided by John Bolton, Trump's former National Security Advisor, James Comey the former director of the FBI, Mary Trump his niece and others. The books written by Donald Trump and Hitler are key sources in identifying their playbooks.
"The American negroes are the only people in the history of the world. . . . that ever became free without any effort on their own." W. E. Woodward stated this in his biography of General Ulysses S. Grant. Nothing could be farther from the truth as will be seen in this history which will show that the African Americans fighting in the Civil War may have been the deciding factor in determining the outcome.
Delving into critical and familiar themes of William Eggleston’s work, his recently revisited body of photographs, The Outlands, goes on a journey with him through the mythic and evolving southern landscape. Vibrant colors and a profound nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. His experimental composition peers through layered scenes—an orange sunset dips into an abandoned diner as we observe from the cracked parking lot—expanding the boundaries of interior and exterior. These idiosyncratic moments are emblematic of Eggleston’s curated yet innovative practice.
Historians have often marginalized the effect of African American troops on the outcome of the Civil War. While many histories briefly mention the service of the blacks, few reveal their impact. Lorenzo Thomas was one of the most exceptional people to serve in that war, but no biography of his life has been written. Most of his career was spent as an administrator in the U. S. Army, from his graduation from West Point in 1823 until the start of the war when he was the army's Adjutant General. His life changed when he was charged by Secretary of War Stanton to go West and recruit troops for the Union that were desperately needed. Stanton and Thomas did not get along and with pressure mounting to get more troops, Stanton saw this as an opportunity to get Thomas out of Washington. Thomas did exceptionally well in recruiting tens of thousands of troops for the Union. After the war ended, President Andrew Johnson replaced Stanton with Thomas as temporary Secretary of War. This precipitated the impeachment hearings against Johnson and some say that the testimony of Thomas caused the impeachment of Johnson to be dismissed.
Contributions by Megan Abbott, Michael Almereyda, Kris Belden-Adams, Maude Schuyler Clay, William Dunlap, W. Ralph Eubanks, William Ferris, Marti A. Funke, Lisa Howorth, Amanda Malloy, Richard McCabe, Emily Ballew Neff, Robert Saarnio, and Anne Wilkes Tucker The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston is an examination of the life and work of the artist widely considered to be the father of color photography. William Eggleston was born in 1939 and grew up in the Mississippi Delta town of Sumner. His innovative 1976 exhibition at the Museum of Modern Art in New York helped establish color photography as an artistic medium and has inspired photographers and artists ar...
In 1967, the North Vietnamese launched a series of offensives in the Central Highlands along the border with South Vietnam--a strategic move intended to draw U.S. and South Vietnamese forces away from major cities before the Tet Offensive. A series of bloody engagements known as "the border battles" followed, with the principle action taking place at Dak To. Drawing on the writings of key figures, veterans' memoirs and the author's records from two tours in Vietnam, this book merges official history with the recollections of those who were there, revealing previously unpublished details of these decisive battles.
In the closing days of World War II a crisis was emerging for German civilians trapped on the Eastern Front by the Red Army. Many lived between the Soviet advance and the Wehrmacht defense of Nazi Germany. They were fearful of Soviet retribution for the millions of Russians that had been murdered by the Nazis in the early years of the war. Since all land routes had been cut off, an evacuation by sea was the only way to provide escape for the civilians back to Germany. Such an escape was fraught with many dangers. Soviet submarines prowled the Baltic Sea where the ships would sail and the Red air force bombed the ports and ships at sea. Most of the available ports were under siege by the Red Army and civilians who tried to reach the ports were often killed or died in the winter weather. To save the civilians and some of the German soldiers, the German Navy developed a plan for the evacuation called Operation Hannibal in early 1945. This history tells the story of this flight from its start in January 1945 until it concluded the day after the end of World War II.
When William Eggleston's second artist's book Morals of Visions was first published in 1978 in a limited edition of fifteen, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which re-imagines Morals of Visions as a trade book for the general public. The original Morals of Vision contains eight color coupler prints of Eggleston's archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. "There is no particular reason to search for meaning," Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston's own ironic secret. 'I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle.' -William Eggleston