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Stanley Crouch-MacArthur "Genius" Award recipient, co-founder of Jazz at Lincoln Center, National Book Award nominee, and perennial bull in the china shop of black intelligentsia-has been writing about jazz and jazz artists for more than thirty years. His reputation for controversy is exceeded only by a universal respect for his intellect and passion. As Gary Giddons notes: "Stanley may be the only jazz writer out there with the kind of rhinoceros hide necessary to provoke and outrage and then withstand the fulminations that come back." In Considering Genius, Crouch collects some of his best loved, most influential, and most controversial pieces (published in Jazz Times, The New Yorker, the Village Voice, and elsewhere), together with two new essays. The pieces range from the introspective "Jazz Criticism and Its Effect on the Art Form" to a rollicking debate with Amiri Baraka, to vivid, intimate portraits of the legendary performers Crouch has known.
Aimee Mayne was born into a life of apparent privilege and opportunity. However, as a woman born in 1872 and living through the first half of the twentieth century, these opportunities were severely limited by law, culture and tradition. This story is of a woman of the British upper-middle-class, whose life was full of colour – of living in India; of family relationships; of travel; of the Blitz. She kept diaries, and wrote an intimate memoir. This book explores her emotional conflicts, with a revealing analysis that includes revelations about a woman brought up in the late-Victorian period, encompassing her sex-life and the turmoil of an unhappy marriage. It is a study of a life that iden...