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"Raw, intimate, and true . . . A Better Man cracked me wide open, and it's a template for the conversation we need to be having with our boys." --Peggy Orenstein, bestselling author of Boys & Sex A poignant look at boyhood, in the form of a heartfelt letter from comedian Michael Ian Black to his teenage son before he leaves for college, and a radical plea for rethinking masculinity and teaching young men to give and receive love. In a world in which the word masculinity now often goes hand in hand with toxic, comedian, actor, and father Michael Ian Black offers up a way forward for boys, men, and anyone who loves them. Part memoir, part advice book, and written as a heartfelt letter to his c...
Following his first book of hilarious essays in My Custom Van, Michael Ian Black expands his commentary to the subject that has made him one of the most-followed celebrities on Twitter: his irreverent take on the joys of suburban family life. In the tradition of Christian Lander’s hipster/yuppie-friendly bestselling catalog of observations in Stuff White People Like, Michael Ian Black delivers his unique brand of quirky, deadpan humor in this new collection of comedic essays. Now that Black has become the guy he swore he’d never be—a Yuppie A-Hole—he has a lot to say about his family life in suburbia, and he shares his incisive yet absurd observations with readers in Clappy as a Ham....
"A humorous satirical field guide for identifying and defeating a Trump when discovered in the wilds of a presidential election"--
When a medical diagnosis forces him to realize he's not getting any younger, Black reexamines his life as a middle-aged guy-- in the deadpan wit and self-deprecating vignettes that have become trademarks of his humor.
Get ready for the read of your life. Never before has a single book combined awesome vans, unicorns, Billy Joel, and erotic fiction in such a potent combination. A writing tour de force? Perhaps. A reading experience that will sear itself into your consciousness like a red-hot branding iron? Without question. Comedian and basic cable superstar Michael Ian Black unleashes the full fury of his astonishing intellect in this collection of short comic essays. My Custom Van is a no-holds-barred assault to the funny bone that will literally beat you into submission with hilarity*. How did he do it? How did he create such a fine anthology? Answer: With love. Michael opened his heart and used the mag...
A girl, a potato, and a very sad flamingo star in this charming sequel to I’m Bored by New York Times bestselling author and comedian Michael Ian Black and celebrated illustrator Debbie Ridpath Ohi. Everyone feels sad sometimes—even flamingos. Sigh. When Flamingo announces he’s feeling down, the little girl and Potato try to cheer him up, but nothing seems to work. Not even dirt! (Which usually works for Potato.) Flamingo learns that he will not always feel this way. And his friends learn that sometimes being a friend means you don’t have to cheer someone up. You just have to stick by your pal no matter how they feel. Even if they’re a potato.
The story starts with Mike Black’s early life and the circumstances that moulded him into an adult ready for life and the creation of businesses across Europe. Then, when coming to the aid of a German friend in serious trouble, Mike was introduced to the activities of an old school friend in Northern Ireland who carried out operations for various governments on a strictly off-the-record basis. During the 1960s and 1970s, as Europe remained divided by the Iron Curtain between western and Soviet nations, these activities became more and more numerous. A steady inflow of criminals came from the east: they targeted business leaders, threatening their families as a means of blackmailing them to comply with their extortionate demands. After his Northern Ireland friend died, Mike decided to take over his business and employ the staff, a decision he never regretted in spite of the dangers.
This comprehensive analysis of the complex relationship of black political thought identifies which political ideologies are supported by blacks, then traces their historical roots and examines their effects on black public opinion.
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"The author traces the emergence in the late 1970s and early 1980s of the belief that personal computers should be easy to use. He asks readers to consider the consequences of a computational culture grounded in the assumption that the average person does not need to know much, if anything, about the internal operations of the computers we have come to depend on"--