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Broadcast Wars
BROADCAST WARS exploses the egos, the money and the power manipulating our remote controls.
The Rise
"It is one of the enduring enigmas of the human experience: many of our most iconic, creative endeavors--from Nobel Prize-winning discoveries to entrepreneurial inventions and works in the arts--are not achievements but conversions, corrections after failed attempts. The gift of failure is a riddle. Like the number zero, it will always be both a void and the start of infinite possibility. The Rise--a soulful celebration of the determination and courage of the human spirit--makes the case that many of our greatest triumphs come from understanding the importance of this mystery. This exquisite biography of an idea is about the improbable foundations of creative human endeavor.The Rise begins w...
The News Man
'You'll never be a journalist's bootlace!' This is the story behind the stories we think we know. 'The News Man' is a very personal look at the public face of news by one of Australia's most well-loved and respected news presenters of our time. Mal Walden was seventeen when he applied for his first job in media. Starting out as a country radio announcer, he went on to work in Launceston and Melbourne before making the shift to television as a news anchor for channels Seven and Ten. At age seventy he gracefully crossed the finishing line to be recognised as the longest-serving newsman on Australian television. Each year Mal maintained a journal in which he recorded his many serendipitous and life-changing moments. These memories form a record of not only his life as a newsman, but of the evolution of television news.
Speech Matters
"Why are Australians getting free speech Wrong? Australia is the land of the 'Fair Go'. But does this extend to giving everyone the right to speak freely about politics? While most Australians take this vital freedom for granted, in Speech Matters political analyst Katharine Gelber shows why many of Australia's laws and policies are actually damaging our democratic ideals. A council officer shuts down a Sydney art exhibition that challenges the basis for the Iraq war; big day out organisers are attacked for asking attendees not to wear the Australian flag after the Cronulla riots. Gelber investigates a wide range of political expression to discover what value Australians place on free speech...
The Planetary Clock
Ranging over various aesthetic forms (literature, film, music) in the period since 1960, this volume brings an antipodean perspective into conversation with the art and culture of the Northern Hemisphere, to reformulate postmodernism as a properly global phenomenon.
Interpreting Literary Texts
This book considers how textual interpretation has been influenced by post-Kantian philosophy and aesthetics, particularly the cultural transition from the correspondence theory of knowledge and truth to Nietzschean perspectivism, and the canonical transition from Classicism, to Romanticism, to Modernism, to Postmodernism. It discusses the principles of interpretation, the concept of reason (logos), and how the West’s model of mind evolved. The novels of Jane Austen introduce the concept of Classicism, including her debt to Aristotle’s thinking about Tragedy and Comedy in Poetics. The two trajectories of Romanticism are discussed, the philosophical trajectory through Berlin’s idea of C...
Locating Migrating Media
Locating Migrating Media details the extent to which media productions, both televisual and cinematic, have sought out new and cheaper shot locations, creative staff, and financing around the world. The book contributes to debates about media globalization, focusing on the local impact of new sites of media production. The book's chapters also question the role that film and television industries and local and regional governments play in broader economic develop and tax incentive schemes. While metaphors of transportation, mobility, fluidity and change continue to serve as key concepts and frames for understanding contemporary media industries, products and processes, the essays in this boo...
Public and Popular History
This interdisciplinary collection considers public and popular history within a global framework, seeking to understand considerations of local, domestic histories and the ways they interact with broader discourses. Grounded in particular local and national situations, the book addresses the issues associated with popular history in a globalised cultural world, such as: how the study of popular history might work in the future; new ways in which the terms ‘popular’ and ‘public’ might inform one another and nuance scholarship; transnational, intercultural models of ‘pastness’; cultural translatability; and the demand for high-quality work on new technologies and history. A wide ra...
Anzac, The Unauthorised Biography
Raise a glass for an Anzac. Run for an Anzac. Camp under the stars for an Anzac. Is there anything Australians won’t do to keep the Anzac legend at the centre of our national story? But standing firm on the other side of the Anzac enthusiasts is a chorus of critics claiming that the appetite for Anzac is militarising our history and indoctrinating our children. So how are we to make sense of this struggle over how we remember the Great War? Anzac, the Unauthorised Biography cuts through the clamour to provide a much-needed historical perspective on the battle over Anzac. It traces how, since 1915, Australia’s memory of the Great War has declined and surged, reflecting the varied and complex history of the Australian nation itself. Most importantly, it asks why so many Australians persist with the fiction that the nation was born on 25 April 1915.
Race, Ethnicity and Nuclear War
Ranging across fiction and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers' devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.
