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The Captivity of General Corcoran
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Captivity of General Corcoran
An early work by the Philadelphia publisher whose specialty was lurid pamphlets on crime, prison, violence, and sensational deeds and events.
For Which It Stands
Our national anthem celebrates it. Patriots wave it. Politicians of all kinds try to wrap themselves in it. It is saluted at baseball games, in parades, and on the most solemn of commemorative occasions. It was salvaged in the first hours following the dreadful events of September 11, and it stands outstretched just above the surface of the moon. It is, of course, the American flag, and there are few symbols as potent. With all the reverence and sacrifice and emotion it inspires, it is easy to lose sight of the fact that it is ultimately just a symbol. Why is it so powerful? Why does a piece of cloth resonate so loudly for so many? Why a flag, and why this flag, these stripes, those stars? I...
Subject Catalogue...
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All Over the Map
Texas music - made for dancing - louder - exuberant crowds.
The Captivity of General Corcoran
An early work by the Philadelphia publisher whose specialty was lurid pamphlets on crime, prison, violence, and sensational deeds and events.
The Austin Chronicle Music Anthology
Since publishing its first issue in 1981, The Austin Chronicle has evolved alongside the city's sound to define and give voice to 'The Live Music Capital of the World.' ... In honor of the Chronicle's thirtieth anniversary, this anthology gathers the weekly's best music writing and photography ... Capturing the moments that make music history as they happen ...
The Harp and the Eagle
On the eve of the Civil War, the Irish were one of America's largest ethnic groups, and approximately 150,000 fought for the Union. Analyzing letters and diaries written by soldiers and civilians; military, church, and diplomatic records; and community newspapers, Susannah Ural Bruce significantly expands the story of Irish-American Catholics in the Civil War, and reveals a complex picture of those who fought for the Union. While the population was diverse, many Irish Americans had dual loyalties to the U.S. and Ireland, which influenced their decisions to volunteer, fight, or end their military service. When the Union cause supported their interests in Ireland and America, large numbers of ...
[Ghost Notes]
"Ghost notes" is a musical term for sounds barely audible, a wisp lingering around the beat, yet somehow driving the groove. The Texas musicians profiled here, ranging from 1920s gospel performers to the first psychedelic band, are generally not well known, but the impact of their early contributions on popular music is unmistakable. This beautiful Tim Kerr-illustrated collection provides more background on the Texas from which these artists sprang, fully formed. Readers will learn about the black gay couple from Houston who inspired the creation of rock 'n' roll, as well as the true story of the origin of Western Swing. They will learn about "the first family of Texas music" and the birth of boogie-woogie, the dirt-poor singers and the ballad collectors who saved folk songs during the Depression, and the accordeonista whose musical legacy was never contained on recordings but was passed on by his protégé. The pioneers of modern times include the Dallas rapper who became the wordsmith of gangsta rap, the sheriff's son from Dumas who produced the signature tunes of Frank Sinatra and Dean Martin, and the blind lounge singer Kenny Rogers called the greatest musician he's ever known.
