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The 24 articles in this Festschrift for Michael Goulder, a renowned master of creative exegesis, either deal with questions of method or exemplify the practical investigation of Old and New Testament texts with their wider (cross-boundary) context in mind.
The 24 articles in this Festschrift for Michael Goulder, a renowned master of creative exegesis, either deal with questions of method or exemplify the practical investigation of Old and New Testament texts with their wider (cross-boundary) context in mind.
Goulder and the Gospels is the first comprehensive response to the radical challenge Michael Goulder has posed for New Testament scholarship. Goulder dispenses with all hypothetical sources-Q, M and L and postulates highly creative evangelists who write in the light of the liturgy. In this penetrating critique, Goodacre provides a critical overview of Goulder's work, focusing on several key areas, the vocabulary of Q, the language of the Minor Agreements, the creativity of Luke and the lectionary theory. He does not simply assess the plausibility of Goulder's ideas but also develops new ways to test them. The theories are sometimes found to be wanting, but at the same time Goulder is reaffirmed as one of the most important and stimulating Biblical scholars of this generation.
A persuasive account, in brief compass, of the dramatic flow of the Song of Songs. Many sensitive observations on the imagery of the songs are presented in the form of a running commentary. The author offers his own original verse translation of the fourteen poems.
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The Asaph psalms (50, 73-83) are a unity. They often call God 'Elohim' and 'El', and the people 'Joseph', as Amos does; they appeal to Israelite history, the exodus and the covenant; they are written in the face of military catastrophe. In this suggestive and brilliant work, Goulder argues that they were composed in Bethel in the 720s for use as the psalmody for the autumn festival. This gives us vital new evidence for the history of the Pentateuch: there was at Bethel a historical tradition from at least the time of the oppression in Egypt to the Solomonic Empire; the Asaphites took this tradition to Jerusalem and their descendants were the Deuteronomists.
In the second of his invigorating studies on the Psalms, Goulder builds a fascinating case for a Davidic connection in Psalms 51-72. Goulder argues that the Prayers were composed by one of David's priests, and stand in their historical order. Thus, Psalm 51, with which the sequence opens, is in Jewish tradition David's psalm of contrition for Uriah's murder, and 72 is the psalm for Solomon's coronation-the beginning and end of the 'Succession Narrative'. 'The whole is prefaced by a shrewd and highly entertaining account of Psalm scholarship and a discussion of the character of the "succession narrative," and rounded off by a note suggesting how the present structure of the Psalter developed.' Richard Coggins, Expository Times.
Michael Goulder is a scholar who has always taken an original approach to the Bible and biblical criticism. He has developed five major theories, which challenged received opinion among the learned; and the book tells the story of how these "stones" fared when confronting the biblical establishment. This account of Goulder's scholarly work is interwoven with that of his life and ministry and includes many anecdotes and vignettes of other people that are both amusing and interesting.