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Autobiographies of Orhan Pamuk
The first book-length study of the life and writings of Ohran Pamuk, the first Turkish writer to receive the Nobel Prize for Literature.
The Art of Mystical Narrative
In the study of Judaism, the Zohar has captivated the minds of interpreters for over seven centuries, and continues to entrance readers in contemporary times. Yet despite these centuries of study, very little attention has been devoted to the literary dimensions of the text, or to formal appreciation of its status as one of the great works of religious literature. The Art of Mystical Narrative offers a critical approach to the zoharic story, seeking to explore the interplay between fictional discourse and mystical exegesis. Eitan Fishbane argues that the narrative must be understood first and foremost as a work of the fictional imagination, a representation of a world and reality invented by the thirteenth-century authors of the text. He claims that the text functions as a kind of dramatic literature, one in which the power of revealing mystical secrets is demonstrated and performed for the reading audience. The Art of Mystical Narrative offers a fresh, interdisciplinary perspective on the Zohar and on the intersections of literary and religious studies.
Cervantes' Los Trabajos de Persiles Y Sigismunda
Multidimensional characters, contrasting perspectives and ironic manipulations produce a kind of 'generic hybridisation' which exposes the fallacies of this type of romance fiction."--Jacket.
Coat of Many Cultures
The biblical (and qur'anic) story of Joseph was an important element of the cultural heritage shared by Jews, Muslims and Christians in medieval Spain. The great themes that legend embodies - sibling rivalry resulting in betrayal, revenge, and ultimate reconciliation; the triumph of honor and chastity over sexual temptation; and the Cinderella-like rise of a member of a despised minority to a position of almost unimaginable power and influence - led all three groups to cherish the story. The story of Joseph offers us a unique opportunity to examine the interactions of Jews, Muslims, and Christians in medieval Renaissance Spain. Each of these ethnic and religious groups developed new interpretations of the story dictated by the historical circumstances of a particular time and place, yet each was influenced by the versions created by the others. McGaha's book presents seven works based on the biblical story. Only two have been previously translated into English. All of these works are unmistakably Spanish, though many of them are also undeniably Jewish or Muslim. They are not just antiquarian curiosities, but are truly admirable literary texts.
Performativity and Performance in Baroque Rome
A new interest in the study of early modern ritual, ceremony, formations of personal and collective identities, social roles, and the production of meaning inside and outside the arts have made it possible to talk today about a performative turn in the humanities. In Performativity and Performance in Baroque Rome, scholars from different fields of research explore performative aspects of Baroque culture. With examples from the politics of diplomacy and everyday life, from theatre, music and ritual as well as from architecture, painting and sculpture the contributors demonstrate how broadly the concept of performativity has been adopted within different disciplines.
Countercurrents
In their readings of texts, the authors address the topics of theory, narrative, aesthetics, the idea of the text, and of specific moments in cultural history. The chapters cover a range of authors: Plato, Ovid, Dante, Petrarch, Chariteo, Ariosto, Tasso, Cervantes, Kleist, Gode, Edith Wharton, Pirandello, Kafka, Sartre, Saint-John Perse, Paz, Roubaud, Sanguineti, and Tomlinson. They also deal with philosophers: Peirce, Nietzsche, Saussure, Husserl, Marc Bloch, Lucien Febvre, Heidegger, Jakobson, Sartre, Lévi-Strauss, Barthes, Derrida, Foucault, Lacan, Lyotard, and Deleuze. The book opens up our relationships to the past and the usefulness or otherwise of the metaphors we use in our attempt to understand and participate in it. Although Countercurrents deals diversely with literary periods, authors, and critics, it speaks within the civilized and civilizing universe of our language and the texts we create. Running beneath the antihumanistic flotilla that skims the surface of texts for theory, the authors plumb for treasures from the ocean's floor.
Putting On Virtue
This work reveals how a distrust of learned and habituated virtue shaped both early modern Christian moral reflection and secular forms of ethical thought. The author's broad historical sweep takes in the Aristotelian tradition as taken up by Thomas Aquinas and has chapters on Luther, Bunyan, the Jansenists, Hume, and others.
A New Anthology of Early Modern Spanish Theater
An anthology of plays from the Spanish Golden Age contains the full text of 15 plays; an introduction to each play with information about the author, the work, performance issues and current criticism; and glossaries with definitions of difficult words and concepts.
Cervantes and Ariosto
Thomas Hart examines Erich Auerbach's contention that Don Quixote is not a tragedy but a comedy and suggests that Auerbach's view was shaped by his reading of Ariosto's chivalric romance Orlando furioso. At the same time Hart argues that neither Don Quixote nor Orlando furioso is so free from political intention as Auerbach believed they were. He demonstrates that Cervantes shared not only Ariosto's attachment to the moral code of chivalry but also his doubts that it could be practiced effectively in the contemporary world. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
