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In 1966 and 1968 Michael Darlow worked in Russia on two major television co-productions between the British ITV company, Granada, and the main Soviet press and information agency, APN Novosti. There he met Tamara Astafieva, a senior editor in Novosti's television department, assigned by the agency to be his researcher in Russia. During his frequent visits to Russia he got to know Tamara well, met her young son and her husband and learned a little about her life. Then, Tamara fell out of favour with her Russian bosses and another woman, a stern-faced party apparatchik, was assigned to take on her role. After one final, short meeting Darlow did not see Tamara again. Almost forty years later, a...
The articles in this book provide details and insightful observations on the political and social reception of 'Night and Fog'. They offer a new dimension to scholarship on the film and its place in the debate on memory and the Holocaust.
Johnny Cash is one of the most influential figures in music and American popular culture today. While he was an icon to people of all ages during his life, Cash's legacy continues after his death. His remarkable story is captured in this exclusive authorized biography, addressing the whole life of Johnny Cash-not just his unforgettable music but also his relationship with June Carter Cash and his faith in Christ. His authenticity, love for God and family, and unassuming persona are what Steve Turner captures with passion and focus in this inspiring book. Different from other books written about him, The Man Called CASH brings Cash's faith and love for God into the foreground and tells the story of a man redeemed, without watering-down or sugar-coating. The Man Called CASH will be a huge success with his millions of fans and will draw in many new fans with this inspiring story of faith and redemption.
Ibn Saud grew to manhood living the harsh traditional life of the desert nomad, a life that had changed little since the days of Abraham. Equipped with immense physical courage, he fought and won, often with weapons and tactics not unlike those employed by the ancient Assyrians, a series of astonishing military victories over a succession of enemies much more powerful than himself. Over the same period, he transformed himself from a minor sheikh into a revered king and elder statesman, courted by world leaders such as Churchill and Roosevelt. A passionate lover of women, Ibn Saud took many wives, had numerous concubines, and fathered almost one hundred children. Yet he remained an unswerving and devout Muslim, described by one who knew him well at the time of his death in 1953 as “probably the greatest Arab since the Prophet Muhammad.” Saudi Arabia, the country Ibn Saud created, is a staunch ally of the West, but it is also the birthplace of Osama bin Laden and fifteen of the nineteen 9/11 hijackers. Saud’s kingdom, as it now stands, has survived the vicissitudes of time and become an invaluable player on the world’s political stage.
Ibn Saud grew up living the harsh traditional life of the desert nomad, then during his adolescence in Kuwait, studied the ways of great imperial powers. Thus equipped between 1902 and 1930 he fought and won a series of astonishing military victories over a enemies much more powerful than him, and transformed himself into a revered king and elder statesman, courted by world leaders such as Churchill and Roosevelt. Saudi Arabia, the country he created is a staunch ally of the West but it is also the birthplace of Osama bin Laden and fifteen of the 9/11 hijackers. The question that looms is whether the Kingdom, as it now stands, will survive the vicissitudes of time.
Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement? Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them. Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.
From The Great Dictator to Schindler's List, the extermination of the Jews of Europe has driven the cinema, more than any other form of artistic expression, to question its methods, techniques, and ethics. It is with reference to the Shoah that a decisive part of the thought behind modern cinema has been constructed, and, consciously or not, many of the greatest films of the past sixty years bear the mark of this event. To give an account of these phenomena, Cinema and the Shoah brings together filmmakers, historians, journalists, philosophers, and researchers to explore how the Shoah, as a historical event, implicated and mobilized the cinema by profoundly questioning its modes of recounting and storytelling, of putting visions onscreen. The book also includes a filmography (compiled with the assistance of the Fritz Bauer Institute of Frankfurt) that lists over three hundred feature-length films, short films, and documentaries about the Shoah, produced between 1945 and the present.
This intriguing, authoritative book tracks stage representations of lesbians and gay men from Oscar Wilde to the present day and examines scores of British and American plays and playwrights, including works by Wilde, Maugham, Coward, Hellman, O'Neill, Le Roi Jones, and Joe Orton.
The Holocaust is a pervasive presence in British culture and society. Schools have been legally required to deliver Holocaust education, the government helps to fund student visits to Auschwitz, the Imperial War Museum's permanent Holocaust Exhibition has attracted millions of visitors, and Britain has an annually commemorated Holocaust Memorial Day. What has prompted this development, how has it unfolded, and why has it happened now? How does it relate to Britain's post-war history, its contemporary concerns, and the wider "globalisation" of Holocaust memory? What are the multiple shapes that British Holocaust consciousness assumes and the consequences of their rapid emergence? Why have the so-called "lessons" of the Holocaust enjoyed such popularity in Britain? Through analysis of changing engagements with the Holocaust in political, cultural and memorial landscapes over the past generation, this book addresses these questions, demonstrating the complexities of Holocaust consciousness and reflecting on the contrasting ways that history is used in Britain today.