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The momentous events since September 11, 2001, both challenged the field of American Studies and opened up new opportunities for research, teaching, and activism. This book presents more than 160 short contributions by Americanists and Non-Americanists from around the world in an essayistic brainstorm that brings together many questions asked about "America" and American Studies in the age of globalization.
Life changes at the speed of light After Lisa makes a disastrous pickup for Operation Quickline, the top-secret courier group that she and her partner Sid Hackbirn work for, she realizes it's time for her and Sid to get married. They're already re-building their house and have merged their assets. Sid's given up sleeping around. But then the two have to take custody of Sid's son, Nick, after the boy's mother dies. Suddenly becoming full-time parents to an almost adolescent is hard enough. There's also getting a grieving and clingy Nick settled, planning a wedding with Lisa's mother intent on going hog-wild, and even finding someone to take care of the pets. Sid's and Lisa's lives have gotten far more complicated than either imagined. And that's not counting their little side business. Thanks to the bad pickup, Sid and Lisa are ordered to find a missing operative and get embroiled in an arms-trading scheme. Worse yet, Nick figures out all too quickly that his dad and Lisa don't have a normal job, and it's not long before the spy business becomes a family thing, assuming they all can stay alive long enough.
One of political philosophy’s most trenchant and inventive critics challenges the field’s normative turn, arguing that the study of politics should focus on real politics, where normative judgments arise from concrete configurations of power. Raymond Geuss shows how this can be done without succumbing to a toxic relativism or abandoning utopianism.
It doesn't mean they're not out to get you Lisa Wycherly and Sid Hackbirn find themselves up against a relentless enemy and about to get the shock of their lives in book nine of the Operation Quickline series. First, there's the wedding. Not Sid and Lisa's, but her cousin Maggie's, where Sid and his son, Nick, raise all sorts of eyebrows. Then there's the attempt on Sid's life. Then Sid and Lisa's good friends are recruited into their top secret organization. Then there's Lisa's sister being jealous, and a new house getting close to being ready, and Sid and Lisa's own wedding to work on, and Nick bringing home every bug there is at his new school and sharing it with his parents. Being highly-trained top secret counter-intelligence agents will only help so far as the circles of family complications ripple outward. Sid and Lisa try to cope with the multiple surprises as they train their two friends and track down a ruthless killer determined to take both of them out.
This volume seeks to address a number of broad questions, including: what is the role and limit of urban space in the expression of group and individual rights and desires?; do democratic social relations require spatial propinquity?; and what are the characteristics of
Finally, it's real love... Now what? Lisa Wycherly's surprise birthday party ends in a terrifying disaster when she's kidnapped off the street. Her partner, Sid Hackbirn, is so devastated that he loses his interest in sleeping around - the one thing keeping the two of them apart. The kidnapping gets messy enough when it comes to light that the kidnappers got the wrong target. There's also a defecting KGB agent playing games with the CIA, who are involved with the Colombian kidnappers. Then Lisa's recovery sets in motion a whole other set of challenges as she and Sid deal with her trauma and try to get the KGB agent under control, only to find that Sid's randy past will continue to haunt them. The only thing worse? Figuring out how to be a couple.
Mind the Screen pays tribute to the work of the pioneering European film scholar Thomas Elsaesser, author of several volumes on media studies and cinema culture. Covering a full scope of issues arising from the author’s work—from melodrama and mediated memory to avant-garde practices, media archaeology, and the audiovisual archive—this collection elaborates and expands on Elsaesser’s original ideas along the topical lines of cinephilia, the historical imaginary, the contemporary European cinematic experience, YouTube, and images of terrorism and double occupancy, among other topics. Contributions from well-known artists and scholars such as Mieke Bal and Warren Buckland explore a range of media concepts and provide a mirror for the multi-faceted types of screens active in Elsaesser’s work, including the television set, video installation, the digital interface, the mobile phone display, and of course, the hallowed silver screen of our contemporary film culture.
How did millions of middle-class Germans come to support extreme nationalist and anti-democratic groups during the Weimar Republic? This troubling and pointedly argued book addresses this question through a targeted case study of Hof, a small Bavarian town, in the five years after the First World War. During this tumultuous period, a series of devastating crises and violent confrontations discredited the representatives of democratic liberalism and handed the initiative to a reinvigorated radical Right. Crucially, these crises were understood by Hof’s inhabitants as part of a broader “European Civil War” unleashed by the Russian Revolution and Treaty of Versailles. This detailed and disturbing study will be read with profit by students and scholars of modern history who seek new insights into the rise of the Nazis, and into the processes of popular radicalisation that did so much to bring about the destruction of the Weimar Republic.
Doing Humanities in Nineteenth-Century Germany, edited by Efraim Podoksik, is a collaborative project by leading scholars in German studies that examines the practices of theorising and researching in the humanities as pursued by German thinkers and scholars during the long nineteenth century, and the relevance of those practices for the humanities today. Each chapter focuses on a particular branch of the humanities, such as philosophy, history, classical philology, theology, or history of art. The volume both offers a broad overview of the history of German humanities and examines an array of particular cases that illustrate their inner dilemmas, ranging from Ranke’s engagement with the world of poetry to Max Weber’s appropriation of the notion of causality.