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The Artist's Eyes
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The Artist's Eyes
This title presents a celebration of vision, of art and of the relationship between the two. Artists see the world in physical terms as we all do. However, they may be more perceptive than most in interpreting the complexity of how and what they see. In this fascinating juxtaposition of science and art history, ophthalmologists Michael Marmor and James G. Ravin examine the role of vision and eye disease in art. They focus on the eye, where the process of vision originates and investigate how aspects of vision have inspired - and confounded - many of the world's most famous artists. Why do Georges Seurat's paintings appear to shimmer? How come the eyes in certain portraits seem to follow you around the room? Are the broad brushstrokes in Monet's Water Lilies due to cataracts? Could van Gogh's magnificent yellows be a result of drugs? How does eye disease affect the artistic process? Or does it at all? "The Artist's Eyes" considers these questions and more. It is a testament to the triumph of artistic talent over human vulnerability and a tribute to the paintings that define eras, the artists who made them and the eyes through which all of us experience art.
The Eye of the Artist
Where medical science and artistic philosophy meet, you will find The Eye of the Artist. It offers a collection of essays and artworks that show the constraints which human vision places upon artistic creation - and the triumph of artistic talent over human vulnerability.
Foundations of Ophthalmology
There have been books over the years discussing the history of ophthalmology, but none that focus directly on just the most critical thinkers whose insights provided the foundation for the discipline. These men and women advanced knowledge about vision, diagnosis, disease mechanisms, and therapy through innovative thinking and perseverance against old ideas. Their stories are intriguing at a personal level and for showing the complexity of advancing medical science and, therefore, should be required reading for anyone practicing ophthalmology. Foundations of Ophthalmology includes giants such as Young (the nature of color and light), Braille (a practical reading system for the blind), Helmholtz (development of the ophthalmoscope), von Graefe (defining glaucoma), Curie (discovery of radiation and the basis of radiation therapy), Gonin (demonstration how to cure retinal detachment), Ridley (serendipity that led to intraocular lenses), and Kelman (development of phacoemulsification that revolutionized cataract surgery).
Degas Through His Own Eyes
How does one account for the change in style of Edgar Degas' work during the latter half of his life? Starting in 1870, why did the artist gradually adopt such a different style, so removed from the meticulous precision of his initial painting? Using scientific analysis, this original book compares the painter's canvases as we view them at present in museums, with how Degas saw them: evermore hazily, with failing vision. It shows the consequences that the deterioration of Degas' sight had on the evolution of his style. Surprising and innovative in the quality of its illustrations, this book yields new insight into the relationship between art and science.
Macular Edema
This timely publication fills a large gap in the ophthalmic literature which has so far lacked a monograph on the clinically very important subject of macular edema. The book presents the most up-to-date scientific concepts concerning the etiology and pathogenesis of blood retinal barrier breakdown such as tight junction associated protein dysfunction, and changes in fluid transport properties of the retinal pigment epithelium. The bulk of the book is clinically oriented and addresses novel imaging and diagnostic techniques for the detection of macular edema as well as the clinical context of a panoply of ocular diseases which induce macular edema, such as diabetes, other vasculopathies, uve...
The Retinal Pigment Epithelium
The retinal pigment epithelium is a critical tissue within the eye. It lies directly behind the retina, where it provides metabolic support to the photoreceptors and controls their local environment. As a result, the RPE is vital to retinal function, but also a site of aging and disease that cause dysfunction and visual loss. This book brings together comprehensive reviews of basic and clinical science concerning the RPE. It is organized to juxtapose chapters on RPE disease with chapters on the underlying pathophysiology. These include up-to-date accounts of growth factors, laser effects, proliferative vitreoretinopathy, Bruch's membrane pathology, as well as new diagnostic tools such as ocu...
Principles and Practice of Clinical Electrophysiology of Vision, second edition
The long-awaited second edition of an authoritative reference on electrophysiologic vision testing, including detailed information on techniques and problems, basic physiology and anatomy, theoretical concepts, and clinical findings; with extensive new material. This authoritative text is the only comprehensive reference available on electrophysiologic vision testing, offering both practical information on techniques and problems as well as basic physiology and anatomy, theoretical concepts, and clinical correlations. The second edition, of the widely used text, offers extensive new material and updated information: 65 of the 84 chapters are completely new, with the changes reflecting recent...
Toward a Cognitive Theory of Narrative Acts
Toward a Cognitive Theory of Narrative Acts brings together in one volume cutting-edge research that turns to recent findings in cognitive and neurobiological sciences, psychology, linguistics, philosophy, and evolutionary biology, among other disciplines, to explore and understand more deeply various cultural phenomena, including art, music, literature, and film. The essays fulfilling this task for the general reader as well as the specialist are written by renowned authors H. Porter Abbott, Patrick Colm Hogan, Suzanne Keen, Herbert Lindenberger, Lisa Zunshine, Katja Mellman, Lalita Pandit Hogan, Klarina Priborkin, Javier Gutiérrez-Rexach, Ellen Spolsky, and Richard Walsh. Among the works analyzed are plays by Samuel Beckett, novels by Maxine Hong Kingston, music compositions by Igor Stravinsky, art by Jean-Baptiste-Simeon Chardin, and films by Michael Haneke. Each of the essays shows in a systematic, clear, and precise way how music, art, literature, and film work in and of themselves and also how they are interconnected. Finally, while each of the essays is unique in style and methodological approach, together they show the way toward a unified knowledge of artistic creativity.
