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Rude Awakenings
The story of a man navigating an era of upheaval, persecution, and suspicion: “A must read for students of 20th-century political and intellectual history.” —Robert Cohen, Professor of History and Social Studies Education, New York University Drawing on family papers, wide-ranging interviews, FBI files, American and German newspapers, a wide array of published sources, and her own memories, Carol Sicherman traces Harry Marks’s German American heritage, his education both formal and informal, his marriage to a fellow Communist from a poor Russian family, his rocky start as an academic, his anguish when confronted by his Communist past, and his ultimate creation of a satisfying career....
Words about Mozart
Published as a tribute to the late Stanley Sadie, these eleven essays look at compositional and performance matters, consider new archival research and provide an overview of work since the bicentenary in 1991.
Art and Ideology in European Opera
Opera, that most extravagant of the performing arts, is infused with the contexts of power-brokering and cultural display in which it was conceived and experienced. For individual operas such contexts have shifted over time and new meanings emerged, often quite remote from those intended by the original collaborators; but tracing this ideological dimension in a work's creation and reception enables us to understand its cultural and political role more clearly - sometimes conflicting with its status as art and sometimes enhancing it. This collection is a Festschrift in honour of Julian Rushton, one of the most distinguished opera scholars of his generation and highly regarded for his innovati...
One Family’s Shoah
Deploying concepts of interpretation, liberation, and survival, esteemed literary critic Herbert Lindenberger reflects on the diverse fates of his family during the Holocaust. Combining public, family, and personal record with literary, musical, and art criticism, One Family's Shoah suggests a new way of writing cultural history.
Early Music in the 21st Century
This collection about the early music movement will appeal to performers, teachers, academics, instrument makers, amateur musicians, and music lovers. With chapters about new ways to study, teach, perform, and listen to early music, there is something to appeal to everyone. The diverse group of authors--from young to established voices who live across the globe--offer positive, diverse, exciting, and challenging points of view about how the early music movement can go forward into the future.
The Musician's Hand
The Musician’s Hand – A Clinical Guide was the first book to focus on the specialised topic of the upper limb and hand in musicians: the conditions they suffer, the modified assessment and treatment they require and the importance of prevention. Since its publication in 1998, scientific and clinical progress has been made in all these areas. The second edition of The Musician’s Hand has been completely revised under the editorship of hand surgeon Ian Winspur to reflect this expansion in our knowledge. The book opens with introductory chapters describing the principles of hand and arm pain as it is experienced by musicians, and summarising the problems associated with playing various in...
The Cambridge Companion to The Magic Flute
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.
The Cambridge Companion to Opera Studies
The first comprehensive attempt to map the current field of opera studies by leading scholars in the discipline.
The Strad
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