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Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of genres in order to write about and represent architecture. "Essay" provides a forum for discussion of architectural knowledge, including both fundamental research into and speculative arguments on its nature. "Analysis" allows for in-depth examination of built form: how can the knowledge embodied in buildings be retrospectively extracted and creatively re-used? "Project" is directed at architects who see design as a theoretical tool: how can a specific design proposal become a model of thought? "Encounters" gives access to the personal knowledge of renowned, unjustly forgotten, or entirely unknown protagonists of architecture. "Fiction" reflects the editors' conviction that sometimes the imaginary may reveal more about architectural knowledge than science.
Inventing the Social showcases recent efforts to develop new ways of knowing society that combine social research with creative practice. With contributions from leading scholars, the book provides practical and conceptual pointers on how to connect the doing, researching and making of social life in potentially new ways.
How are building types such as skyscrapers, mosques or living history museums imported, adapted and contested in different societies? Our urban landscapes are reshaped by the global circulation of models drawn from elsewhere. This original collection examines how architectural ideas, social models and building forms circulate round the world and become adapted to local conditions.
Chiefly papers presented at a conference held at the Kulturwissenschaftliches Institut in Essen, Germany, in April 2003.
Copyright is under siege. From file sharing to vast library scanning projects, new technologies, actors, and attitudes toward intellectual property threaten the value of creative work. However, while digital media and the Internet have made making and sharing perfect copies of original works almost effortless, debates about protecting authors' rights are nothing new. In this sweeping account of the evolution of copyright law since the mid-nineteenth century, Monika Dommann explores how radical media changes—from sheet music and phonographs to photocopiers and networked information systems—have challenged and transformed legal and cultural concept of authors' rights. Dommann provides a cr...
The Visible Hands That Feed approaches the food sector against the backdrop of its pivotal role for social and ecological relations to trace the potentials and limitations for sustainable change from within.
The book shines light on the problem of judgment, particularly in the realm of architectural "technics" and the codes that regulate it. The struggle to define "sustainability," and thus judge architecture through such lenses, is but one dimension of the contemporary problem of judgment. By providing the reader with an inherently interdisciplinary study of a particular discipline—architecture, it brings to the topic lenses that challenge the too frequently unexamined assumptions of the discipline. By situating architecture within a broader cultural field and using case studies to dissect the issues discussed, the book emphasizes that it is not simply a matter of designing better, more efficient, or more stringent codes to guide place-making, but a matter of reconstructing the boundaries of the systems to be coded. The authors are winners of the EDRA Place-Research Award 2014 for their work on the Green Alley Demonstration Project used in the book.
Founded in the Mahoning Valley during 1837, a tiny settlement of secular German immigrants grew into one of the most influential centers of Jewish life in the Midwest. Home to nationally renowned rabbis and Zionist firebrands alike, the community produced an astonishing array of leaders in an impressive range of fields throughout the twentieth century. This notable legacy ranges from the entertainment juggernaut of Warner Brothers to the Arby's fast-food empire and the prominent Youngstown Sheet & Tube, among many others. Authors Thomas Welsh, Joshua Foster and Gordon F. Morgan trace the unique history of one of Ohio's oldest Jewish communities from its humble beginnings into the challenging climate of the new millennium.
Creative Practice Ethnographies focuses on the intersection of creative practice and ethnography and offers new ways to think about the methods, practice, and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? By addressing these questions, the authors highlight the important roles that ethnography and creative practice play in socially impactful research. This book is aimed at interdisciplinary researchers, scholars, and students of art, design, sociology, anthropology, games, media, education, and cultural studies.
Researchers rethink tactics for inventing and disseminating research, examining the use of such unconventional forms as poetry, performance, catalogs, interactive machines, costume, and digital platforms. Transmission is the research moment when invention meets dissemination—the tactical combination of making (how theory, methods, and data shape research) and communicating (how research is shown and shared). In this book, researchers from a range of disciplines examine tactics for the transmission of research, exploring such unconventional forms as poetry, performance, catalogs, interactive machines, costume, and digital platforms. Focusing on transmissions draws attention to a critical pa...