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Australian Music and Modernism, 1960-1975
Drawing on newly available archival material, key works, and correspondence of the era, Australian Music and Modernism defines "Australian Music" as an idea that emerged through the lens of the modernist discourse of the 1960s and 70s. At the same time that the new "Australian Music" was distinctive of the nation, it was also thoroughly connected to practices from Europe and shaped by a new engagement with the music of Southeast Asia. This book examines the intersection of nationalism and modernism at this formative time. During the early stages of "Australian Music" there was disagreement about what the idea itself ought to represent and, indeed, whether the idea ought to apply at all. Michael Hooper considers various perspectives offered by such composers as Peter Sculthorpe, Richard Meale, and Nigel Butterley and analyzes some of the era's significant works to articulate a complex understanding of "Australian Music" at its inception.
They Played Rugby for Australia 2023 edition
Over 500 pages of facts, statistics, and records of every match and every player for the Australian national Rugby Union team from the first match in June 1899 up to December 2023.
Corpsman
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Duvalier's Ghosts
"Urgently pursues those nameless ghosts of Haitians lost in the liminal space of the Black Atlantic."--New West Indian Guide "Foregrounds the experiences of refugees (particularly those refused asylum and detained in camps), the political mobilization of the diaspora in the United States, the ramifications of the policies and adjustment programmes imposed on Haiti by the World Bank, the International Monetary Fund and USAID."--Bulletin of Latin American Research "Theoretically sound and well researched. Braziel has written a compelling book on the literatures of post-Duvalier Haiti."--Millery Polyne, New York University "A very original study, a tour-de-force that crisscrosses the disciplina...
SEC Docket
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Haitian Refugees Forced to Return
On September 30, 1991, Haiti's first democratically elected President, Jean-Bertrand Aristide, was overthrown by a coup d'etat. The Haitian political crisis, which was marked by intense international pressure for political negotiation, triggered a stream of refugees bound foremost for the United States. The US Coast Guard began detaining interdicted Haitians at the US naval base at Guantanamo Bay, Cuba, as well as forcibly returning a certain number to the Haitian capital. What was the role played by the Haitian diaspora in the US, as the Haitian crisis unfolded until Aristide's reinstatement in October 1994? This study investigates how this process of intervention was shaped by socially constructed categories such as nation, race, ethnicity, and class.
