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Sing a New Song
The stories of four bishops ? George Hills, David Somerville, Douglas Hambidge, and Michael Ingham ? who adopted unpopular causes and changed the world.
Stage-Play and Screen-Play
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Hong Kong
Hong Kong has always been something of an anomaly, and an outpost of empire, whether British or Chinese. Once described as a barren island, the former fishing community has been transformed by its own economic miracle into one of Asia's World Cities, taking in its stride the territory's 1997 return to Chinese sovereignty. Beneath the surface of Hong Kong's clichéd self-image as Pearl of the Orient and Shopping Paradise, Michael Ingham reveals a city rich in history, myth, and cultural diversity.
Hong Kong Documentary Film
Described as the 'lost genre', the tradition of documentary film making in Hong Kong is far less known than its martial arts films. However documentary film has always existed in Hong Kong and often trenchantly represents its troubled relationship to itself, China and the west. Including the period of colonial film-making, the high points of television documentary and the tradition of independent documentary film-making, this book is the first to present a comprehensive study of this lost genre. It explores the role of public-service television (including representations of the massacre at Tiananmen Square) and presents critical analysis of key films. Based on original archival research, it will be an invaluable resource for students and academics who work in the fields if film studies, colonial studies and Hong Kong cinema.
Frozen Institutions
Thanks for the memories—well, maybe not. It has been hard work getting over the break up of the fifteen-hundred-year Anglican marriage of church and state—the so-called English Christendom. It is still a work in progress because the marriage left behind so many unconscious assumptions about power, institutions, and community relations. The first group of essays in this book challenges some of the frozen elements in church institutions, in particular habits of orthodoxy, catholicity, and canonical Scripture. They are framed in the context of the struggles of the Anglican Communion. The second set of essays refer to the Anglican Church of Australia and some attempts at de-frosting its inst...
The Cambridge Companion to Ezra Pound
An international team of scholars provides an invaluable introduction to Pound's work and life.
The House Where God Lives
In a culture dominated by the individualistic values of political and social liberalism, Gary Badcock says that we seldom hear of the church as the creature of the Word of God. The church has been entrusted to us by God and belongs to the structure of the Christian faith itself. Ecclesiology is first of all theology because it is primarily about the presence of God, Badcock maintains, and is thus biblical and creedal ( one, holy, catholic, and apostolic ) something that we believe which is what undergirds its empirical, sociological, and even pastoral function. Rather than a hollow shell where humans dream moral dreams and do good deeds, the church is the house where God lives.
Fashioning England and the English
This book explores how literary texts envision England and respond to discourses and conceptions of Englishness and the English nation, especially in relation to gender and language. The essays discuss texts from the fifteenth to the twentieth century and bear witness to changing views of England and the English, highlighting the importance of religion, economy, landscape, the spectre of the “other” and language in this discourse. The volume pays attention to women writers’ reflection on the nation and the roles female figures play in male writers’ visions of nationhood. It brings into conversation less well-known voices like those of Osbern Bokenham, Thomas Deloney, Eleanor Davies and Jacquetta Hawkes with canonical authors—William Shakespeare, William Wordsworth, Jane Austen and Virginia Woolf—and opens a space for exploring the interplay of dominant and variant voices in the fashioning of England.
Surveillance in Asian Cinema
Critical theory and popular wisdom are rife with images of surveillance as an intrusive, repressive practice often suggestively attributed to eastern powers and opposed to western liberalism. Hollywood-dominated global media has long promulgated a geopoliticized east-west axis of freedom vs. control. This book focuses on Asian and Asia-based films and cinematic traditions obscured by lopsided western hegemonic discourse and—more specifically—probes these films’ treatments of a phenomenon that western film often portrays with neo-orientalist hysteria. Exploring recent and historical movies made in post-social and anti-Communist societies such as China, Hong Kong, Taiwan, Vietnam and South Korea, the book picks up on the political and economic concerns implicitly underlying Sinophobic and anti-Communist Asian images in Hollywood films while also considering how these societies and states depict the issues of centralization, militarization and technological innovation so often figured as distinctive of the difference between eastern despotism and western liberalism.
The Living Church
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