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Hong Kong
Explores the culture and history of Hong Kong.
Hong Kong
Hong Kong is the epitome of the modern city and a crossroads between eastern and western cultures. Today the city is most famously characterized by its breathtaking skyscraper skyline, dominating its "fragrant" harbor. The hundred-year-old Star Ferry, which continues to ply the seven-minute route between Hong Kong Island and the Kowloon Peninsula, enhances the nocturnal magic of this unique maritime city, composed of China's southernmost peninsula and an archipelago of over two hundred islands. Hong Kong has always been something of an anomaly, and an outpost of empire, whether British or Chinese. Once described as a "barren island," the former fishing community has been transformed by its o...
The Intertextuality and Intermediality of the Anglophone Popular Song
Popular song is a liminal, hybrid form of cultural production. As a manifestation of adaptation studies, it has lacked visibility by comparison with more dominant adaptation practices, especially those for the screen. This book serves to fill this gap. It investigates what songwriters read and write before they start singing, showing that they need either to adapt material from existing sources or write their own lyrics drawn from a wide range of source texts and personal experiences. They are subject to myriad influences, and among these are other song lyrics, poems, novels, plays, films and hybrid cultural forms. This deep-structure intertextuality is embedded in the cultural flux of langu...
Rites for a New Age
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Stage-Play and Screen-Play
Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.
Hong Kong Documentary Film
Does Hong Kong have a significant tradition of documentary film-making? Until recently, many film scholars believed not. Yet, when Ian Aitken and Michael Ingham challenged this assumption, they discovered a rich cinematic tradition dating back to the 1890s. Under-researched and often forgotten, documentary film-making in Hong Kong includes a thriving independent documentary film movement, a large archive of documentaries made by the colonial film units, and a number of classic British official films. Case studies from all four categories are examined in this book, including The Battle of Sha.
Johnnie To Kei-Fung's PTU
PTU is an underappreciated noir masterpiece by one of Hong Kong's most prolific and commercially successful directors. Johnnie To Kei-fung has been called "the poet of post-1997 and the economic savior of the Hong Kong film industry" for an extraordinary range of films produced during some of Hong Kong cinema's most difficult years. While many of To's celebrated films such as Election, Exiled and The Mission feature themes of criminal glory and revenge, PTU centers on the ethical dilemmas, personal dramas and stoic teamwork in the elite Police Tactical Unit. The story follows the PTU's all-night search for an officer's missing gun as they navigate triad turf struggles and marauding jewel thieves from mainland China. Shot over several years in the hauntingly empty pre-dawn streets of Tsim Sha Tsui, and released coincidentally amid the 2003 SARS panic, the film evokes Hong Kong's post-handover economic despair and multiple identity crises. In terms of character development and psychological complexity, Mike Ingham argues that PTU is the most aesthetically rigorous and satisfying of To's many films.
More Than I Can Say
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Hong Kong
Hong Kong is the epitome of the modern city, characterized by its breathtaking skyscraper skyline which dominates its 'fragrant' harbour. Revealing a city rich in history, myth and cultural diversity, Mike Ingham explores the 'pear of the Orient'.
City Voices
City Voices is the first showcase of postwar Hong Kong literature originating in English. Fiction, poetry, essays and memoirs from more than 70 authors are featured to demonstrate 'the rich variety and vitality of the city's literary production'. Together with work from established authors, both bilingual writers who choose to write in English and expatriate authors who have made Hong Kong their home, a section of 'New Voices' introduces the work of unknown and young writers who are part of today's surge of new creativity.
