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The African-American Woman's Guide to Successful Make-up and Skin Care
PERSONAL GROOMING Fornay, former creative director for Revlon Cosmetics, presents a how-to handbook for all women of color. He covers the health and beauty of the skin, its maintenance and treatment, and applying make-up.-
Olfactory Art and the Political in an Age of Resistance
This book claims a political value for olfactory artworks by situating them squarely in the contemporary moment of various forms of political resistance. Each chapter presents the current research and art practices of an international group of artists and writers from the United States, Canada, France, Germany, Switzerland, Thailand, Sweden, and the Netherlands. The book brings together new thinking on the potential for olfactory art to critique and produce modes of engagement that challenge the still-powerful hegemonic realities of the twenty-first century, particularly the dominance of vision as opposed to other sensory modalities. The book will be of interest to scholars working in contemporary art, art history, visual culture, olfactory studies, performance studies, and politics of activism.
The Metropolitan Museum of Art: Publications 2022
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provide a complete list of books available in print at the time of publication.
Bulletin
Composed of the Report of the director and other administrative officers, together with occasional contributions on scientific subjects. Beginning in 1933 the annual report of the director was published in its journal.
Fornay's Guide to Skin Care and Makeup for Women of Color
From a nationally recognized authority on fashion and grooming, this indispensable guide focuses--as no other has--on the unique beauty and special needs of African Americans and other women of color. 26 drawings, 16-page four-color insert.
The Unfinished Business of Unsettled Things
This book invites readers into a growing, dynamic conversation among scholars and critics around a vibrant community of artists from an African American South. This constellation of creative makers includes familiar figures, such as Thornton Dial Sr., Lonnie Holley, and quiltmakers Nettie Young and Mary Lee Bendolph, whose work is collected in major museum and private collections. The artists represented extend to lesser-known but equally compelling creators working across a wide range of artistic forms, themes, and geographies. The essays gathered here, accompanied by a generous selection of full-color plates, survey subjects such as the artists' engagement with enslavement and liberation, the spiritual and religious dimensions of their work, the technical aspects of their work (such as the common use of "assemblage" as an artistic medium), the links between art and biography, and the evolving status of their reception in narratives of contemporary, modern, southern, and American art. Contributors are Celeste-Marie Bernier, Laura Bickford, Michael J. Bramwell, Elijah Heyward III, Sharon P. Holland, and Pamela J. Sachant.
Library Bulletin
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