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Michael J. Shapiro
Michael J. Shapiro’s writings have been innovatory with respect to the phenomena he has taken to be political, and the concomitant array of methods that he has brilliantly mastered. This book draws from his vast output of articles, chapters and books to provide a thematic yet integrated account of his boundary-crossing innovations in political theory and masterly contributions to our understanding of methods in the social sciences. The editors have focused on work in three key areas: Discourse Shapiro was one of the first theorists to demonstrate convincingly, and in a manner that has had a long-standing impact on the field, that language is not epiphenomenal to politics. Indeed, he shows ...
War Crimes, Atrocity and Justice
What do we know about war crimes and justice? What are the discursive practices through which the dominant images of war crimes, atrocity and justice are understood? In this wide ranging text, Michael J. Shapiro contrasts the justice-related imagery of the war crimes trial (for example the solitary, headphone-wearing defendant at the Hague listening with intent to a catalogue of charges) with ?literary justice?: representations in literature, film, and biographical testimony, raising questions about atrocities and justice that juridical proceedings exclude. By engaging with the ambiguities exposed by the artistic and experiential genres, reading them alongside policy and archival documentati...
Cinematic Geopolitics
"The new violent cartographies -- Preemption up close : film and Pax Americana -- Fogs of war -- The sublime today : re-partitioning the global sensible -- Aesthetics of disintegration : allegiance and intimacy in the former "Eastern bloc"--Perpetual war?"
Studies in Trans-disciplinary Method
This groundbreaking and innovative text demonstrates how "method" can be understood in much broader and more interesting ways.
Methods and Nations
Annotation Methods and Nationscritiques one of the primary deployments of twentieth-century social science: comparative politics whose major focus has been "nation-building" in the "Third World," often attempting to universalize and render self-evident its own practices. International relations theorists, unable to resist the "cognitive imperialism" of a state-centric social science, have allowed themselves to become colonized. Michael Shapiro seeks to bring recognition to forms of political expression-alternative modes of intelligibility for things, people, and spaces-that have existed on the margins of the nationhood practices of states and the complicit nation-sustaining conceits of social science
Violent Cartographies
An innovative critique of the way historians and political scientists study war. How can we resist a nation-state vision of the globe? What is needed to "unmap" the familiar world? In Violent Cartographies, Michael J. Shapiro considers these questions, exploring the significance of war in contemporary society and its connections to the geographical imaginary. Employing an ethnographic perspective, Shapiro uses whiplash reversals and bizarre juxtapositions to jolt readers out of conventional thinking about international relations and security studies. Considering the ideas of thinkers ranging from yon Clausewitz to Virilio, from Derrida to DeLillo, Shapiro distances readers from familiar poli...
The Time of the City
Engaging with critical theory, poststructuralist perspectives, cultural studies, film theory and urban studies, the book provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.
The Political Sublime
In The Political Sublime Michael J. Shapiro formulates an original politics of aesthetics through an analysis of the experience of the sublime. Turning away from Kant's analysis of the sublime experience as a validation of the existence of a universal common sense, Shapiro draws on Deleuze, Lyotard, and Rancière to show how incomprehensible events and dilemmas provide openings for new political formations. He approaches the sublime through a range of artistic and cultural texts that address social crises and natural disasters, from the writing of James Baldwin and Ta-Nehisi Coates to the films of Ingmar Bergman and Spike Lee; these works suggest ways to channel the disruptive effects of the sublime into resistance to authority and innovative political initiative. Whether stemming from the threat of nuclear annihilation or the aftermath of an earthquake, the violence of racism and terrorism or the devastation of industrialism, sublime experience, Shapiro contends, allows for a rethinking of events in ways that reveal, redistribute, and create conditions of possibility for alternative communities of sense.
