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'... the universal poet, servant of the medium, renewer of the forms, discoverer of the nugget of harmony in the language of ourselves.' Seamus Heaney 'He brings to Irish poetry an invaluable chronicle of mixed allegiances and lost worlds of the ambiguities of the colony and the defeats of victory.
This study questions the validity of John Hewitt's prominence in Northern Irish Protestant writing and asserts the need for a more accurate history of this genre. Confronting the perceived wisdoms of a highly politicized discourse, it undermines Hewitt's status within it as a matchless, acceptable Protestant for a critically re-visioned Ireland. Challenging the substance of Hewitt's self-representations as icon of cultural liberalism, radical secular dissenter, and verse-apologist for the Planter condition, this book shows that his elevation over the majority of northern Protestants is tenable only within an incomprehensive history of Northern Irish Protestant writing that diminishes other important figures. The study provides a framework for a more equitable study of Protestant voices.
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This book is a must for musicians, composers and music producers who want to explore the fascinating variety of musical scales that are now used in world music. Included are hundreds of scales from around the world such as: major and minor scales of Western music, diatonic modes, pentatonic scales, scales used in jazz and bebop, artificial and synthetic scales, scales of Greek folk music, pentatonic scales of Japanese and Chinese music, Ethiopian kinit, African kora scales, scales of Indonesian gamelan music, equal tone scales of Thailand and Burma, musical scales of classical Indian music and more. Each scale is presented in multiple formats including guitar tab, keyboard, note names, staff and where appropriate, details of fine tuning. A transposition pattern is also given for each scale, which enables the musician to practise and play the scale in any key required. An explanation of each scale, together with a description of its characteristics is also provided."
On a cold day on the thirtieth of January 1649 in London, an anonymous executioner severed the head of King Charles I of England. The watching crowds had very mixed feelings about this regicide, but Oliver Cromwell’s troops kept order, and eventually the crowd dispersed, stunned by this momentous event in English history, which left the country in turmoil. Amongst the crowd that day were a father of fifty-nine years and his three sons. This moment in history was to change their lives. Who were this family? Where had they come from? What would become of them? The answer to these questions would lead us back to King Robert the Bruce of Scotland, forward to our own Queen of the United Kingdom and the Commonwealth, and would also greatly influence much of American history.
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