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Michael Landy
Marking the return of the artist to the large-scale installation expression, this book highlights the work, to date, of Michael Landy. It includes working drawings, installation shots and contextual texts to give an insight into the work of the artist.
Michael Landy
Everything Must Go! is the first major monograph of Michael Landy's work, spanning 20 years of his career. Richly illustrated in full colour, this book surveys his earliest work including lesser-known sculptures such as Sovereign shown at Freeze in 1988, to large scale installations Market at Building One in London, Closing Down Sale at Karsten Schubert Ltd., and Scrapheap Services first shown as part of the exhibition Brilliant! New Art from London in Minneapolis. Other works discussed in detail include the infamous Break Down, where Landy destroyed all 7,227 of his possessions in a department store on Oxford Street, Semi-detached at Tate Britain, where Landy constructed a full-scale model of his family home, and the project H2NY where Landy made 168 drawings based on a Tinguely sculpture and performance Homage to New York. With over 800 colour images, this 432-page book features essays by Richard Flood, Rochelle Steiner and Richard Shone, and an interview with James Lingwood.
Michael Landy, Out of Order
This publication presents a comprehensive overview of Michael Landy's complete works. Michael Landy (b. 1963) belongs to the group of Young British Artists, who, beginning in 1988, caused an international sensation. He created installations, in which real life and fiction entered into an unsettling liaison. With his works, he raises essential (unspoken) questions: How does the ownership of material objects affect us? What do we need to live? But also: How creative is destruction?
Break Down Inventory
Accompanying the 2001 exhibition that made its debut at a shop in Oxford Street, London, this title is in effect an inventory of the possessions that were broken down into their component parts during the installation.
Michael Landy
British artist Michael Landy (b. 1963) is known primarily as an installation artist. His work, along with others associated with the Young British Artists (YBAs), was first catapulted to the world spotlight when it was featured in the notorious Sensation exhibition (1997). His sculptural installations and performances explore political and social themes, such as the nature of consumerism and commodity. In 2009, Landy began a three-year artist residency at the National Gallery, London. He chose to focus his project on representations of saints and their accompanying stories, often gruesome, which were once part of common culture but are now largely unknown. Landy's preoccupation with recycling narratives and repurposing imagery results in Saints Alive, the subject of this book, conceived to include drawings, collages, and a series of kinetic, interactive sculptures with moving parts and sounds. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London(05/23/13-11/24/13)
Michael Landy H2NY
The mechanisms and aesthetics of waste disposal have been of fascination to Michael Landy since research on early projects Scrapheap Services (1995) and Break Down (2001). Throughout his career Landy's interest in mechanical destruction has manifested in many forms - from the shredder, to the (dis)assembly line, to self-destructing kinetic works. In Scaled-Down, the artist's new body of work, he turns to the methods of industrial waste compaction. The process of destruction becomes not one of obliteration, but of transmogrification and renewal, as sculptures and drawings are re-imagined and reshaped in unsparing, compressed sculptural form. -- from press release, https://www.thomasdanegallery.com/usr/documents/exhibitions/press_release_url/210/ml_press-release.pdf.
Michael Landy
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Break Down
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Computational Models of Visual Processing
The more than twenty contributions in this book, all new and previously unpublished, provide an up-to-date survey of contemporary research on computational modeling of the visual system. The approaches represented range from neurophysiology to psychophysics, and from retinal function to the analysis of visual cues to motion, color, texture, and depth. The contributions are linked thematically by a consistent consideration of the links between empirical data and computational models in the study of visual function. An introductory chapter by Edward Adelson and James Bergen gives a new and elegant formalization of the elements of early vision. Subsequent sections treat receptors and sampling, ...
Sensory Cue Integration
This book is concerned with sensory cue integration both within and between sensory modalities, and focuses on the emerging way of thinking about cue combination in terms of uncertainty. These probabilistic approaches derive from the realization that our sensors are noisy and moreover are often affected by ambiguity. For example, mechanoreceptor outputs are variable and they cannot distinguish if a perceived force is caused by the weight of an object or by force we are producing ourselves. The probabilistic approaches elaborated in this book aim at formalizing the uncertainty of cues. They describe cue combination as the nervous system's attempt to minimize uncertainty in its estimates and to choose successful actions. Some computational approaches described in the chapters of this book are concerned with the application of such statistical ideas to real-world cue-combination problems. Others ask how uncertainty may be represented in the nervous system and used for cue combination. Importantly, across behavioral, electrophysiological and theoretical approaches, Bayesian statistics is emerging as a common language in which cue-combination problems can be expressed.
