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Studies of the media in Africa, incorporating both African and international perspectives, are few. The thirty papers collected here were presented at a seminar organised and hosted by the Kenya-based Twaweza Communications and the International African Institute in Nairobi in 2004. They demonstrate how media outlets are used to perpetuate, question or modify the unequal power relations between the North and the South. Focusing on east Africa, the papers include discussions of the construction of old and new social entities, as defined by class, gender, ethnicity, political and economic differences, wealth, poverty, cultural behaviour, language and religion. The authors illustrate how there is increasing control by local people of traditional and modern forms of media. Globalization is being countered by local responses, within the context of social and cultural identities. Essentially, the book describes the tensions between the global and the local, tensions not often discussed in media studies, thus pioneering new debates.
The first book-length consideration of questions relating to music and meaning.
"The Stuff on the Inside" is a coming-of-age novel that follows a young student named Leslie Barclay. During his journey through college, Leslie battles with the finite nature of life, the collapsing health of those closest to him, and struggles to mask his identity crisis. The more the outside world fails him, the more refuge Leslie seeks within the walls of his college. Pursuing any means to cheat death and stay young forever, Leslie sells his soul to the masters that rule on campus. In this attempt to stave off the coming tide of adulthood, Leslie finds himself drowning in a sea of adolescence that he helped create. Only to discover a horrifying truth... you either get old, or you die. This novel touches on many adult conversations surrounding topics such as mental health, self-harm, death denial, and sexual assault. It is not intended for readers under the age of eighteen.
Not even rural West Virginia can hide the talents of a modern-day Mozart. Stephen is a thirteen-year-old ward of the state—and a runaway who knows exactly what he is and what he wants. He’s a gifted musician who wants a career in music. Who he is doesn’t seem important—until his foster parents refuse to believe in his musical gift. Now, the lack of a last name and need for a solid identity hover in his dreams. He grew up in a small town orphanage. His foster home of the past few months was in another small town. He’d left one and couldn’t go back to the other; the only place remaining was Clarkstowne—the big city a few miles away. He knew no one in Clarkstowne, yet he’d go there and search for someone who might understand his need. Stephen’s simple “I am what I am, I need what I need” will change the perceptions of many people, beginning with the conductor of a respected symphony orchestra, a lonely boy, the musicians with whom he interacts, the friends he makes along the way, and the caseworkers and state officials who must straighten out the controversy centering on him.
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Greater Perfections explores the meanings of "garden" and its relationship to other interventions into the natural world. But above all, it offers a new and challenging account of the role of representation in garden art.Journal