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Michael Madhusudan Dutt (1824 73) is one of the greatest figures not just of Bengali but also of modern Indian literature. Ghulam Murshid's biography of Dutt is unique in that it privides, with ample evidence of tireless research, a fresh insight into the colourful yet tragic life of thisintriguing writer and poet. As a modern classicist, Dutt treated traditional mythological material in a manner that lay it open for generations to re-read and reinterpret: Meghnadbadh Kabya, the nine-book epic, is often regarded as his masterpiece. As a lyric poet, his poems about Radha and Krishnawere a major advance, in feeling and form, on the medieval Bengali Vaishnav literary tradition. And, as a dramat...
On the life and works of Michael Madhusudan Dutt, 1824-1873, Bengali poet.
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WINNER OF THE KALINGA LITERARY FESTIVAL FICTION BOOK OF THE YEAR AWARD 2020-2021 Michael Madhusdan Dutt (1824--1872), a maverick who changed the scope of Bengali poetry in the nineteenth century, especially with his free-verse epic, 'Meghnadhbadh Kabya', was a genius who never got his due. Throughout his life, Madhusudan was caught in an identity crisis: he wrote in the English language, changed his religion and was a restless traveller, yearning to belong somewhere. After an extended sojourn in London and Paris, with misery and poverty as his constant companions, the poet finally found his metier in his mother tongue. Betrayed By Hope, a play-script based on the letters Michael Madhusudan Dutt wrote to friends, well-wishers and patrons, paints the portrait of an artist as he plunges headlong into crisis after crisis, even as his imagination and creativity soar. Namita Gokhale and Malashri Lal pay tribute to his extraordinary life in a story that will lay bare our deep-set contradictions about art and life.
Letters of a 19th century Bengali poet who wrote in both Bengali and English.
The three plays collected in the volume are ‘The Persecuted’ by Krishna Mohan Banerjee, ‘Rizia’ by Michael Madhusudan Dutt, and ‘Kaminee’ (anon.) From the beginning, Indian dramatists who chose to write in English made sociopolitical statements that resonate even today. The unavailability of their plays has resulted in little or no analysis other than secondary references, often inaccurate. For the first time, three of these texts have been unearthed and reprinted in this volume, enhanced by a general introduction, separate introductions to each play, and explanatory notes. Krishna Mohana Banerjea based ‘The Persecuted, or Dramatic Scenes Illustrative of the Present State of Hi...
Nil Darpan; Or, the Indigo Planting Mirror: A Drama is a Bengali play depicting the plight of the farmers in Bengal during the Indigo Revolt of 1859. Written by Dinabandhu Mitra in real-time and published a year later, the drama reflects the realities of Bengali peasantry under the rule of the East India Trading Company. It recounts how the farmers were manipulated into a violent cycle of economic dependence by the indigo planters, the exploitation the people and the land, and the subsequent revolt. They were forced to plant indigo due to the demand for textiles, despite it degrading the soil. The drama was a critical text that shone a light on the horrific treatment many in Bengal experienc...
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Winner of the Sahitya Akademi Award An award-winning novel that uses both vast panoramic views and lovingly reconstructed detail to provide an unforgettable picture of nineteenth-century Bengal. The Bengal Renaissance and the 1857 uprising form the backdrop to Those Days, a saga of human frailties and strength. The story revolves around the immensely wealthy Singha and Mukherjee families, and the intimacy that grows between them. Ganganarayan Singha's love for Bindubasini, the widowed daughter of the Mukherjees, flounders on the rocks of orthodoxy even as his zamindar father, Ramkamal, finds happiness in the arms of the courtesan, Kamala Sundari. Bimbabati, Ramkamal's wife, is left to cope w...