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Kilbane has a new garda, and her first case is a grave matter indeed... After solving two murders in the County Cork village of Kilbane, Siobhán O’Sullivan has accepted her calling and decided to join the Garda Síochána. The O’Sullivan clan couldn’t be prouder, but there’s no time to celebrate as she’s already on another case, summoned by the local priest who just found a dead man in the St. Mary’s graveyard—aboveground. He’s a stranger, but the priest has heard talk of an American tourist in town, searching for his Irish ancestor. As Siobhán begins to dig for a motive among the gnarled roots of the victim’s family tree, she will need to stay two steps ahead of the killer or end up with more than one foot in the grave. A gripping cosy Irish mystery, perfect for fans of Betty Rowlands and Margaret Mayhew.
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In Museum Skepticism, art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Carrier contends that since the inception of the public art museum during the French Revolution, its development has depended on growth: on the expansion of collections, particularly to include works representing non-European cultures, and on the proliferation of art museums around the globe. Arguing that this expansionist project has peaked, he asserts that art museums must now find new ways of making high art relevant to contemporary lives. Ideas and inspiration may be found, he suggests, in mass entertainment...