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Mississippi Reports ... Being Cases Argued and Decided in the Supreme Court of Mississippi
  • Language: en
  • Pages: 776
United States Statutes at Large
  • Language: en
  • Pages: 1562

United States Statutes at Large

  • Categories: Law
  • Type: Book
  • -
  • Published: 1905
  • -
  • Publisher: Unknown

None

The Statutes at Large of the United States
  • Language: en
  • Pages: 1562

The Statutes at Large of the United States

  • Categories: Law
  • Type: Book
  • -
  • Published: 1905
  • -
  • Publisher: Unknown

Statutes at Large is the official annual compilation of public and private laws printed by the GPO. Laws are arranged by order of passage.

Statutes of the United States of America Passed at the ... Session of the ... Congress
  • Language: en
  • Pages: 1396

Statutes of the United States of America Passed at the ... Session of the ... Congress

  • Type: Book
  • -
  • Published: 1905
  • -
  • Publisher: Unknown

None

Nightwood Theatre
  • Language: en
  • Pages: 347

Nightwood Theatre

Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S

Contemporary Irish Theatre
  • Language: en
  • Pages: 358

Contemporary Irish Theatre

None

Blue-Collar Broadway
  • Language: en
  • Pages: 288

Blue-Collar Broadway

Behind the scenes of New York City's Great White Way, virtuosos of stagecraft have built the scenery, costumes, lights, and other components of theatrical productions for more than a hundred years. But like a good magician who refuses to reveal secrets, they have left few clues about their work. Blue-Collar Broadway recovers the history of those people and the neighborhood in which their undersung labor occurred. Timothy R. White begins his history of the theater industry with the dispersed pre-Broadway era, when components such as costumes, lights, and scenery were built and stored nationwide. Subsequently, the majority of backstage operations and storage were consolidated in New York City ...

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
  • Language: en
  • Pages: 570

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies

We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.

The Cambridge Companion to British Theatre since 1945
  • Language: en
  • Pages: 325

The Cambridge Companion to British Theatre since 1945

The definitive guide to post-war British theatre's huge variety and expansion, exploring the diverse contexts that shaped it.

Shakespeare in Canada
  • Language: en
  • Pages: 518

Shakespeare in Canada

Is there a distinctly Canadian Shakespeare? What is the status and function of Shakespeare in various locations within the nation: at Stratford, on CBC radio, in regional and university theatres, in Canadian drama and popular culture? Shakespeare in Canada brings insights from a little explored but extensive archive to contemporary debates about the cultural uses of Shakespeare and what it means to be Canadian. Canada's long history of Shakespeare productions and reception, including adaptations, literary reworkings, and parodies, is analysed and contextualized within the four sections of the book. A timely addition to the growing field that studies the transnational reach of Shakespeare across cultures, this collection examines the political and cultural agendas invoked not only by Shakespeare's plays, but also by his very name. In part a historical and regional survey of Shakespeare in performance, adaptation, and criticism, this is the first work to engage Shakespeare with distinctly Canadian debates addressing nationalism, separatism, cultural appropriation, cultural nationalism, feminism, and postcolonialism.