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'I only ever asked you for one thing,' my father said, a quiver in his voice. 'Just this one thing.' It was as though I had smashed the Ten Commandments. 'Oh father,' I cried, grovelling at his ankles while my mother and siblings looked on. 'The one thing you asked of me - is everything.' Bani Adam has known all his life what was expected of him. To marry the right kind of girl. To make the House of Adam proud. But Bani wanted more than this - he wanted to make his own choices. Being the first in his Australian Muslim family to go to university, he could see a different way. Years later, Bani will write his story to his son, Kahlil. Telling him of the choices that were made on Bani's behalf ...
'Bani Adam thinks he's better than us!' they say over and over until finally I shout back, 'Shut up, I have something to say!' They all go quiet and wait for me to explain myself, redeem myself, pull my shirt out, rejoin the pack. I hold their anticipation for three seconds, and then, while they're all ablaze, I say out loud, 'I do think I'm better.' As far as Bani Adam is concerned Punchbowl Boys is the arse end of the earth. Though he's a Leb and they control the school, Bani feels at odds with the other students, who just don't seem to care. He is a romantic in a sea of hypermasculinity. Bani must come to terms with his place in this hostile, hopeless world, while dreaming of so much more...
This book provides a clear, lively, and accessible guide to the complex histories and vital present of the Australian novel.
FINALIST FOR THE MILES FRANKLIN LITERARY AWARDS 2019 WINNER OF THE NSW PREMIERS LITERARY AWARDS MULTICULTURAL NSW AWARD 2019 'Bani Adam thinks he's better than us!' they say over and over until finally I shout back, 'Shut up, I have something to say!' They all go quiet and wait for me to explain myself, redeem myself, pull my shirt out, rejoin the pack. I hold their anticipation for three seconds, and then, while they're all ablaze, I say out loud, 'I do think I'm better.' As far as Bani Adam is concerned Punchbowl Boys is the arse end of the earth. Though he's a Leb and they control the school, Bani feels at odds with the other students, who just don't seem to care. He is a romantic in a se...
‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of fiction in dialogue with its evocative and imaginative rendering of suburban place and time. ‘Suburban Space, the Novel and Australian Modernity’ rethinks existing cultural debates about suburbia – in Australia and elsewhere – by putting novelistic representations of ‘suburbs’ (suburban interiors, homes, streets, forms and lives over time) in dialogue with the often negative idea of ‘suburbia’ in fiction as an amnesic and conformist cultural wasteland. ‘Suburban space, the novel and Australian modernity’ shows, in other words, how Australian novels dramatize the collision between the sensory terrain of the remembered suburb and the cultural critique of suburbia. It is through such contradictions that novels create resonant mental maps of place and time. Australian novels are a prism through which suburbs – as sites of everyday colonization, defined by successive waves of urban development – are able to be glimpsed sidelong.
The Cambridge History of the Australian Novel is an authoritative volume on the Australian novel by more than forty experts in the field of Australian literary studies, drawn from within Australia and abroad. Essays cover a wide range of types of novel writing and publishing from the earliest colonial period through to the present day. The international dimensions of publishing Australian fiction are also considered as are the changing contours of criticism of the novel in Australia. Chapters examine colonial fiction, women's writing, Indigenous novels, popular genre fiction, historical fiction, political novels, and challenging novels on identity and belonging from recent decades, not least the major rise of Indigenous novel writing. Essays focus on specific periods of major change in Australian history or range broadly across themes and issues that have influenced fiction across many years and in many parts of the country.
Since the 1940s, Meanjin essays have set the national cultural agenda. Arthur Phillips' idea of 'cultural cringe' has become a household word, instantly conveying Australians' sense of place in the world while expressing our frustrations and our ambitions - yet very few of us know it came from an essay first published in Meanjin. Over half a century later, Chelsea Watego's 2021 'Always bet on Black (power)' roars with the fire of a manifesto; Hilary Charlesworth's 1992 'A law of one's own?' challenges Australia's legal system with a formidable feminist ethic; Tim Rowse's 1978 'Heaven and a Hills Hoist' passionately defends suburbia; David Yencken's 1988 'Creative City' sparks a global urban planning movement with artists at the centre. This anthology brings togethers twenty impactful Meanjin essays for the first time. An introduction by editor Esther Anatolitis offers critical context and scrutiny, illustrating how profoundly Meanjin essays have changed Australia.
Climate catastrophe, police brutality, white genocide, totalitarian rule and the erasure of black history provide the backdrop for stories of love, courage and hope. In this unflinching new anthology, twelve of Australia's most daring Indigenous writers and writers of colour provide a glimpse of Australia as we head toward the year 2050. Featuring Ambelin Kwaymullina, Claire G. Coleman, Omar Sakr, Future D. Fidel, Karen Wyld, Khalid Warsame, Kaya Ortiz, Roanna Gonsalves, Sarah Ross, Zoya Patel, Michelle Law and Hannah Donnelly. Edited by Michael Mohammed Ahmad. Original concept by Lena Nahlous. Published by Affirm Press in partnership with Diversity Arts Australia and Sweatshop Literacy Movement.
The Routledge Handbook of Ecofeminism and Literature explores the interplay between the domination of nature and the oppression of women, as well as liberatory alternatives, bringing together essays from leading academics in the field to facilitate cutting-edge critical readings of literature. Covering the main theoretical approaches and key literary genres of the area, this volume includes: Examination of ecofeminism through the literatures of a diverse sampling of languages, including Hindi, Chinese, Arabic, and Spanish; native speakers of Tamil, Vietnamese, Turkish, Slovene, and Icelandic Analysis of core issues and topics, offering innovative approaches to interpreting literature, includ...
Michael’s older brother dies at the beginning of the summer he turns 15, but as its title suggestsThe Incredible Here and Now is a tale of wonder, not of tragedy. Presented as a series of vignettes, in the tradition of Sandra Cisneros’ Young Adult classic The House on Mango Street, it tells of Michael’s coming of age in a year which brings him grief and romance; and of the place he lives in Western Sydney where ‘those who don’t know any better drive through the neighbourhood and lock their car doors’, and those who do, flourish in its mix of cultures. Through his perceptions, the reader becomes familiar with Michael’s community and its surroundings, the unsettled life of his family, the girl he meets at the local pool, the friends that gather in the McDonalds parking lot at night, the white Pontiac Trans Am that lights up his life like a magical talisman.