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Seminal essays on one of the most crucial issues in Arthurian studies.
The author links Chaucer's writings with the medieval optical tradition in its various forms (scholastic texts, encyclopedias, exempla, vernacular poetry) both in general cultural terms and through the discussion of specific examples. He shows how the science of optics, or perspectiva, provides an account of spatial perception, including visual error, and demonstrates how these aspects of optical theory impact on Chaucer's poetry. He provides detailed and sustained analysis of the spatial content of narratives across the range of Chaucer's works, relating them to optical ideas and making use of Lefebvre's theory of the production of space. The texts discussed include the Book of the Duchess, House of Fame, Knight's Tale, Miller's Tale, Reeve's Tale, Merchant's Tale, Squire's Tale and Troilus and Criseyde.
This new introduction to Chaucer has been radically rewritten since the previous edition which was published in 1984. The book is a controversial and modern restatement of some of the traditional views on Chaucer, and seeks to present a rounded introduction to his life, cultural setting and works. Professor Brewer takes into account recent literary criticism, both challenging new ideas and using them in his analysis of Chaucer's work. Above all, there is a strong emphasis on leading the reader to understand and enjoy the poetry and prose, and to try to understand Chaucer's values which are often seen to oppose modern principles. A New Introduction to Chaucer is the result of Derek Brewer's distinguished career spanning fifty years of research and study of Chaucer and contemporary scholarship and criticism. New interpretations of many of the poems are presented including a detailed account of the Book of the Duchess. Derek Brewer's fresh and narrative style of writing will appeal to all who are interested in Chaucer, from sixth-form and undergraduate students who are new to Chaucer's work through to more advanced students and lecturers.
The aim of the author of this book is to bring home not only to researchers, but to every kind of audience the repercussions of a literary topic that was an essential part of Classical education and, even more, a crucial subject in and outside the academic world. In ancient Greece and Rome, the Cycle of Troy was viewed as an essential compilation of information and educational models which was a vivid testimony throughout the history of Greek and Roman influence. Yet in the middle Ages, Trojan myths, just as with those concerning other characters like Hercules or Jason, were transformed into models of human behaviour, i.e. underwent the process of “moralization”. We say “Moralitee” t...
The Court in English Alliterative Poetry, 1350-1450 explores certain links between literature and society in the portrayal of courtly society in a group of alliterative texts: Sir Gawain and the Green Knight, Awntyrs off Arthure at the Terne Wathelyn, Morte Arthure, Wars of Alexander and the Gest Historiale of the Destruction of Troy. The book examines the social function of the texts and how they affect their audience.
Forging Chivalric Communities in Marlory's Morte D'Arthur shows that Malory treats chivalry not as a static institution but as a dynamic, continually evolving ideal. Le Morte D'arthur is structured to trace how communities and individuals adapt or create chivalric codes for their own purposes; in turn, codes of chivalry shape groups and their customs. Knights' loyalties are torn not just between lords and lovers but also between the different codes of chivalry and between different communities. Women, too, choose among the different roles they are asked to play as queens, counsellors, and even quasi-knights.
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This book argues that Chaucer challenges his culture's mounting obsession with vision, constructing a model of 'manhed' that blurs the distinction between agency and passivity in a traditional gender binary.
This is an exploration of the potent blend of Arthurian legend, cartoon animation, and cultural and artistic trends from 1933 to the present. In more than 170 theatrical and televised short cartoons, televised series and specials, and feature-length films from The Sword in the Stone to Shrek the Third--all covered in this book--animators have repeatedly brought the Round Table to life. Although these productions differ greatly in tone and intent--spanning spectra from comic to sober, fantastic to realistic, and entertaining to edifying--they share in the proof of Camelot's continuing relevance in the modern world.