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Michael Osborn on Metaphor and Style
This volume features two dimensions of Michael Osborn’s work with rhetorical metaphor. The first focuses on his early efforts to develop a conception of metaphor to advance the understanding of rhetoric, while the second concerns more recent efforts to apply this enriched conception in the analysis and criticism of significant rhetorical practice. The older emphasis features four of Osborn’s more prominent published essays, revealing the personal context in which they were generated, their strengths and shortcomings, and how they may have inspired the work of others. His more recent unpublished work analyzes patterns of metaphor in the major speeches of Demosthenes, the evolution of metaphors of illness and cure in speeches across several millennia, the exploitation of the birth-death-rebirth metaphor in Riefenstahl’s masterpiece of Nazi propaganda Triumph of the Will, and the contrasting forms of spatial imagery in the speeches of Edmund Burke and Barack Obama and what these contrasts may portend.
Surviving Ministry
Being a pastor has its rewards and pleasures. But churches can be unsafe places. They are filled with broken, imperfect people. Many ministers of the gospel walk into a church naive about the potential hazards of their vocation. They are vulnerable to difficult people, unresolved conflict, incompatible visions, hidden agendas, mission drift, and sin--their own and that of others. Other pastors feel trapped in a ministry hurricane and don't know what to do. They feel like failures. They're thinking about leaving the ministry. They are looking for help and hope--not from an "expert" detached from the real world of ministry--but from someone who has suffered through church hurricanes and lived ...
Rhetorics of Display
Groundbreaking case studies mapping the rhetoric inherent in acts of presentation and concealment Rhetorics of Display is a pathbreaking volume that brings together a distinguished group of scholars to assess an increasingly pervasive form of rhetorical activity. Editor Lawrence J. Prelli notes in his introduction that twenty-first century citizens continually confront displays of information and images, from the verbal images of speeches and literature to visual images of film and photography to exhibits in museums to the arrangement of our homes to the merchandising of consumer goods. The volume provides an integrated, comprehensive study of the processes of selecting what to reveal and wh...
Visual Rhetoric
Visual images, artifacts, and performances play a powerful part in shaping U.S. culture. To understand the dynamics of public persuasion, students must understand this "visual rhetoric." This rich anthology contains 20 exemplary studies of visual rhetoric, exploring an array of visual communication forms, from photographs, prints, television documentary, and film to stamps, advertisements, and tattoos. In material original to this volume, editors Lester C. Olson, Cara A. Finnegan, and Diane S. Hope present a critical perspective that links visuality and rhetoric, locates the study of visual rhetoric within the disciplinary framework of communication, and explores the role of the visual in th...
Sniper
The True Story of Anti-Abortion Killer James Kopp Sniper opens in October 1998 near Buffalo, NY. A man is alone in the dark in a forest. He clutches an assault rifle and is thinking about his mission. "You can cut holes in the fences around the death camps," he thinks. "A trickle of relief in the abortion holocaust. It is your duty to do it." He nestles the rifle into his shoulder and shoots at his target through the back window of a house, then flees. Barnett Sepia, a doctor who provides abortions, is fatally wounded. The shooter is James Kopp, the son of a Marine, who came to embrace the pro-life cause and ultimately the notion of "justifiable homicide: against abortion providers. Kopp fan...
Securing the Prize
How presidential metaphors have shaped US discourse on the Persian Gulf From the 1970s to the 1990s American presidents and their advisers introduced four metaphors into foreign-policy discourse that taught Americans to view the Persian Gulf as a vulnerable region and site of US responsibility on the world stage. In Securing the Prize: Presidential Metaphor and US Intervention in the Persian Gulf, Randall Fowler argues that, for half a century, metaphor has been central to defining America's role in the Middle East. Metaphors served as shorthand for presidents to promote their policies, filtering through the judgments of officials, journalists, experts, and critics to mediate American perceptions of the Gulf War. Tracing the use of security metaphors from President Richard Nixon to President George W. Bush, Fowler revises mainstream understandings regarding the origins of the War on Terror and explains the disconnect between skeptical public attitudes toward US involvement in the Gulf War and the heavy American military footprint in the region.
Reception of Northrop Frye
The Reception of Northrup Frye takes a thorough accounting of the presence of Frye in existing works and argues against Frye's diminishing status as an important critical voice.
