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In this outstanding book, originally published in 1997, and subsequently translated into many languages, Michael Palmer presents a detailed and comparative study of the two most famous theories of religion in the history of psychology: those of Freud and Jung. The first part of the book analyses Freud's claim that religion is an obsessional neurosis—a psychological illness fueled by sexual repression—and the second part considers Jung's rejection of Freud's theory and his own assertion that it is the absence of religion, not its presence, which leads to neurosis. Originally given as a series of lectures at Bristol University, this Classic edition of Freud and Jung on Religion is important reading for general and specialist readers alike, as it assumes no prior knowledge of the theories of Freud or Jung and is an invaluable teaching text.
Shaped by the poet’s long view of history, these beautiful lamenting poems take sudden bracing plunges into close-up views of our apocalypse Little Elegies for Sister Satan presents indelibly beautiful new poems by Michael Palmer, “the foremost experimental poet of his generation, and perhaps of the last several generations” (citation for The Academy of American Poets’ Wallace Stevens Award). Grappling with our dark times and our inability to stop destroying the planet or to end our endless wars, Palmer offers a counterlight of wit (poetry was dead again / they said again), as well as the glow of wonder. In polyphonic passages, voices speak from a decentered place, yet are rooted in the whole history of culture that has gone before: “When I think of ‘possible worlds,’ I think not of philosophy, but of elegy. And impossible worlds. Resistant worlds.” In the light of day perhaps all of this will make sense. But have we come this far, come this close to death, just to make sense?
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The emergence of a few powerful individuals in control of large sections of mass communication industries has coincided with world-wide media de-regulation. In the first book to take a close look at media moguls as a species, Jeremy Tunstall and Michael Palmer show how a handful of own-and-operate entrepreneurs run their empires with a highly eccentric and highly political management style. Individuals such as Berlusconi, Hersant, and Murdoch, in France, Germany, Italy, Britain and the US, are considered in the context of the changing European media industry. The book considers other, non-mogul trends: the emergence of a European media policy and a European-US-Japanese world media industry. Additional case studies focus on Reuters as a news-and-data super-agency and the part played by advertising and other media lobbies in shaping media policy.
In this grand history of naval warfare, Palmer observes five centuries of dramatic encounters under sail and steam. From reliance on signal flags in the seventeenth century to satellite communications in the twenty-first, admirals looked to the next advance in technology as the one that would allow them to control their forces. But while abilities to communicate improved, Palmer shows how other technologies simultaneously shrank admirals' windows of decision. The result was simple, if not obvious: naval commanders have never had sufficient means or time to direct subordinates in battle.
International news-agencies, such as Reuters, the Associated Press and Agence France-Presse, have long been ‘unsung heroes’ of the media sphere. From the mid-nineteenth century, in Britain, the US, France and, to a lesser extent, Germany, a small number of agencies have fed their respective countries with international news reports. They informed governments, businesses, media and, indirectly, the general public. They helped define ‘news’. Drawing on years of archival research and first-hand experience of major news agencies, this book provides a comprehensive history of the leading news agencies based in the UK, France and the USA, from the early 1800s to the present day. It retraces their relations with one another, with competitors and clients, and the types of news, information and data they collected, edited and transmitted, via a variety of means, from carrier-pigeons to artificial intelligence. It examines the sometimes colourful biographies of agency newsmen, and the rise and fall of news agencies as markets and methods shifted, concluding by looking to the future of the organisations.
If you like Michael Connelly, Peter James and Robin Cook, you will love this engrossing and spine-tingling thriller from the pen of Sunday Times bestselling author Michael Palmer. It will get your blood racing and your heart pumping... 'Dynamite plot... past-paced and engrossing.' -- Washington Post 'Gripping and fresh... wrenchingly scary' -- Publishers Weekly 'Manages to scare the socks off the reader' -- Toronto Globe and Mail 'Truly well written piece with suspense from start to finish' -- ***** Reader review 'Compelling page turner' -- ***** Reader review 'Couldn't put it down' -- ***** Reader review 'Gripping, suspenseful and hard to put down' -- ***** Reader review *******************...
Part of the Pelican Big Books series, this story has as its teaching focus the moral and underlying theme of the story, discussing how and why characters change over time and their signifiance. This series has been specifically written for the shared reading part of the literacy hour and supports the genre requirements of the National Literacy Strategy.
At Passages is Michael Palmer's first book of poetry in seven years--and his first book with New Directions. A collection in seven parts, At Passages explores the "hum of the possible-to-say," and, as its title suggests, delves particularly into the paths and meetings of language and meaning: "as much the unseen / as the visible / As much what has disappeared / as what remains."
The President’s teenage son is threatened by a potentially fatal illness rooted in dark secrets from a long-buried past. The White House is not an easy place to grow up, so when Cam Hilliard, the president’s sixteen-year-old son, experiences fatigue, moodiness, and an uncharacteristic violent outburst, doctors are quick to dismiss his troubles as teen angst. But Secret Service agent Karen Ray is convinced there’s something more to Cam’s issues—something serious enough to summon her physician ex-husband for a second opinion. Dr. Lee Blackwood must make a diagnosis from an array of symptoms he’s never seen before. His only clue is a young patient named Susie Banks, who seems to be suffering from the same baffling condition—and who was just hospitalized after an attempted murder. As Lee and Karen race to save Cam’s life, they begin to uncover betrayals that breach the highest levels of national security. Returning to the Washington, DC setting of The First Patient, The First Family is a riveting medical drama from acclaimed novelist Daniel Palmer, in the tradition of his late father, New York Times–bestselling novelist Michael Palmer.