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A fascinating overview of how contemporary artists incorporate text and language into work that speaks to the most pressing issues of the 21st century. In this new volume celebrated artist and curator Michael Petry, addresses media and marketplace concerns about the state of language and the value of books in the digital age. As words find new modes of transmission in contemporary society, text becomes information, and information strives to become free, Petry asks, what value can text hold in the sphere of visual art? Looking at the work of a broad range of artists including Bruce Nauman, Julien Breton, Jeremy Deller, Takashi Murakami, Tracey Emin, Christian Boltanski, and more, The Word is Art explores this and related questions and demonstrates how words remain critical, powerful, and central to art practice. Presenting major areas where the word has dominated artistic practice, this book takes us on a fascinating and richly illustrated global tour of diverse contemporary art forms.
Can an artist claim that an object is a work of art if it has been made for him or her by someone else? If so, who is the author of such a work? And just what is the difference between a work of art and a work of craft? In the first book of its kind, Michael Petry tackles these questions head on.
Thought-provoking and richly visual, Nature Morte brings together, for the first time, the poignant, provocative re-imaginings of the traditional still life by over 180 international contemporary artists. This visually stunning and timely book reveals how leading artists of the 21st century are reinvigorating the still life, a genre previously synonymous with the sixteenth- and seventeenth-century Old Masters. Michael Petry's careful selection celebrates works by emerging and established artists alike, from all over the globe, including John Currin, Elmgreen & Dragset, Robert Gober, Renata Hegyi, Damien Hirst, David Hockney, Gary Hume, Sarah Lucas, Beatriz Milhazes, Gabriel Orozco, Elizabeth...
Exhibition catalogue. Hidden Histories is the first international historical survey of its kind on the lives and work of 20th century male artists, who were same sex lovers. It investigates the relationship between the artists' production and the development of their sexual identity.
It could certainly be argued that the way in which Hegel criticizes Newton in the Dissertation, the Philosophy of Nature and the lectures on the History of Philosophy, has done more than anything else to prejudice his own reputation. At first sight, what we seem to have here is little more than the contrast between the tested accomplishments of the founding father of modern science, and the random remarks of a confused and somewhat disgruntled philosopher; and if we are persuaded to concede that it may perhaps be something more than this - between the work of a clearsighted mathematician and experimentalist, and the blind assertions of some sort of Kantian logician, blundering about among th...
Offers an overview of the transformative nature of installation art over the past decade, including coverage of the work of Doug Aitken, Kazuo Katase, Hans Haacke, Christian Boltanksi, Damien Hirst, Vanessa Beecroft, Gary Hill, Mariko Mori, and Bill Viola
The aim of this book is to provide an overview of perspectives and approaches to sports development focusing on sport systems, sport participation and public policy towards sports. It includes twelve European countries covering all regions of Europe and eleven countries from around the globe. The objective is to present an overview of the diversity of approaches taken to sport development, focusing on the different sport systems and how sport is financed, the underlying applications of sport policy and how it is reflected in sport participation. This book takes a comparative approach which is reflected in each chapter following a similar structure. The diversity of sports systems in Europe and other continents and their (historical) context is shown. Thereby a range of policy approaches underpinning sport development around the world are presented, making it of interest to both academics and policy-makers concerned with sports economics and policy.
Johann Wolfgang von Goethe, although best known for his literary work, was also a keen and outspoken natural scientist. In the second polemic part of Zur Farbenlehre (Theory of Colours), for example, Goethe attacked Isaac Newton's ground-breaking revelation that light is heterogeneous and not immutable, as was previously thought.This polemic was unanimously rejected by the physicists of the day, and has often been omitted from compendia of Goethe's works. Indeed, although Goethe repeated all of Newton's key experiments, he was never able to achieve the same results. Many reasons have been proposed for this, ranging from the psychological — such as a blind hatred of Newtonism, self-deceit a...
This book explores the traditions, achievements and ambitions of the installation artist. This brilliant survey documents and illustrates a global range of installations, capturing the full variety and scale of these many-layered works.