Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Hollywood Stardom
By integrating star studies and film industry studies, Hollywood Stardom reveals the inextricable bonds between culture and commerce in contemporary notions of film stardom. Integrates the traditions of star studies and industry studies to establish an original and innovative mode of analysis whereby the ‘star image’ is replaced with the ‘star brand’ Offers the first extensive analysis of stardom in the ‘post-studio’ era Combines genre, narrative, acting, and discourse analysis with aspects of marketing theory and the economic analysis of the film market Draws on an extensive body of research data not previously deployed in film scholarship A wide range of star examples are explored including George Clooney, Mel Gibson, Tom Cruise, Daniel Day-Lewis, Tom Hanks, Will Smith, and Julia Roberts
The Obstacle Course
The Obstacle Course is an entertaining and enlightening fictional self-help/inspirational story about an old but untraditional teacher, Dr. Ernest Acton, who takes his students - and YOU, the reader - on an adventure towards self-growth and personal development. It is a fun, insightful primer for success in the "obstacle course" of life! This fast-paced story by Neal R. Voron will challenge the "routine" and keep you guessing about what will happen next! And, it may just provide the impetus to help you and those you love to confront your own personal challenges. Readers, including educators and developers of leading self-improvement web sites, are enthusiastically embracing The Obstacle Course: - "I''m a firm believer that - right along with teaching math, reading, and history - our schools and universities should be teaching the ideas that are shared in this novel. Everyone can benefit from the lessons that Dr. Acton teaches in The Obstacle Course.
The Political Psyche
What can depth psychology and politics offer each other? In The Political Psyche Andrew Samuels shows how the inner journey of analysis and psychotherapy and the passionate political convictions of the outer world are linked. He brings an acute psychological perspective to bear on public themes such as the market economy, environmentalism, nationalism, and anti-Semitism. But, true to his aim of setting in motion a two-way process between depth psychology and politics, he also lays bare the hidden politics of the father, the male body, and of men's issues generally. A special feature of the book is an international survey into what analysts and psychotherapists do when their patients/clients bring overtly political material into the clinical setting. The results, including what the respondents reveal about their own political attitudes, destabilize any preconceived notions about the political sensitivity of analysis and psychotherapy. This Classic Edition of the book includes a new introduction by Andrew Samuels.
The Cool and the Crazy
Explosive! Amazing! Terrifying! You won’t believe your eyes! Such movie taglines were common in the 1950s, as Hollywood churned out a variety of low-budget pictures that were sold on the basis of their sensational content and topicality. While a few of these movies have since become canonized by film fans and critics, a number of the era’s biggest fads have now faded into obscurity. The Cool and the Crazy examines seven of these film cycles, including short-lived trends like boxing movies, war pictures, and social problem films detailing the sordid and violent life of teenagers, as well as uniquely 1950s takes on established genres like the gangster picture. Peter Stanfield reveals how H...
Explorations in New Cinema History
Explorations in New Cinema History brings together cutting-edge research by the leading scholars in the field to identify new approaches to writing and understanding the social and cultural history of cinema, focusing on cinema’s audiences, the experience of cinema, and the cinema as a site of social and cultural exchange. Includes contributions from Robert Allen, Annette Kuhn, John Sedwick, Mark Jancovich, Peter Sanfield, and Kathryn Fuller-Seeley among others Develops the original argument that the social history of cinema-going and of the experience of cinema should take precedence over production- and text-based analyses Explores the cinema as a site of social and cultural exchange, in...
When Warners Brought Broadway to Hollywood, 1923-1939
This book offers a different take on the early history of Warner Bros., the studio renowned for introducing talking pictures and developing the gangster film and backstage musical comedy. The focus here is on the studio’s sustained commitment to produce films based on stage plays. This led to the creation of a stock company of talented actors, to the introduction of sound cinema, to the recruitment of leading Broadway stars such as John Barrymore and George Arliss and to films as diverse as The Gold Diggers (1923), The Marriage Circle (1924), Beau Brummel (1924), Disraeli (1929), Lilly Turner (1933), The Petrified Forest (1936) and The Private Lives of Elizabeth and Essex (1939). Even the most crippling effects of the Depression in 1933 did not prevent Warners’ production of films based on stage plays, many being transformed into star vehicles for the likes of Ruth Chatterton, Leslie Howard and Bette Davis.
The Jewish Community of New Orleans
New Orleans is not a typical Southern city. The Jews who have settled in New Orleans from 1757 to the present have had a very different experience than others in the South. New Orleans was a wide-open frontier that attracted gamblers, sailors, con artists, planters, and merchants. Most early Jewish immigrants were bachelors who took Catholic wives, if they married at all. The first congregation, Gates of Mercy, was founded in 1827, and by 1860, four congregations represented Sephardic, French and German, and Polish Jewry. The reform movement, the largest denomination today, took hold after the Civil War with the founding of Temple Sinai. Small as it is in proportion to the population of New Orleans, the Jewish community has made contributions that far exceed their numbers in cultural, educational, and philanthropic gifts to the city.
