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An insider's spirited history of Yale Repertory Theatre In this serious and entertaining chronicle of the first fifty years of Yale Repertory Theatre, award-winning dramaturg James Magruder shows how dozens of theater artists have played their parts in the evolution of a sterling American institution. Each of its four chapters is dedicated to one of the Yale Rep's artistic directors to date: Robert Brustein, Lloyd Richards, Stan Wojewodski Jr., and James Bundy. Numerous sidebars--dedicated to the spaces used by the theater, the playwrights produced most often, casting, the prop shop, the costume shop, artist housing, and other topics--enliven the lavishly illustrated four-color text. This fa...
Created by professors for professors, the Faculty Awards compendium is the first and only university awards program in the United States based on faculty peer evaluations. The Faculty Awards series recognizes and rewards outstanding faculty members at colleges and universities across the United States. Voting was not open to students or the public at large.
Seminal plays and essays reveal the radical origins and approach of Appalachia’s Roadside Theater This two-volume anthology tells the story of Roadside Theater’s first 45 years and includes nine award-winning original play scripts; ten essays by authors from different disciplines and generations, which explore the plays’ social, economic, and political circumstances; and a critical recounting of the theater’s history from 1975 through 2020. The plays in Volume 1 offer a people’s history of the Appalachian coalfields, from the European incursion through the American War in Vietnam.
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, Jewish Theatre: A Global View, contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
During a time of rapid change in the American Jewish community, an outstanding group of Jewish scholars and professionals address the critical problems and future prospects of American Jewry. They discuss the sharp controversies over feminism and religious language, new data on the relationship between Israelis and American Jews, and the interaction between family and synagogue. The wide scope of topics provides an understanding of the dynamics shaping the lives of American Jews and their diverse views of the future.
Up to 1988, the December issue contained a cumulative list of decisions reported for the year, by act, docket numbers arranged in consecutive order, and cumulative subject-index, by act.
Most of all, Pictures in the Air portrays the true, ongoing heritage of the National Theatre of the Deaf - the fine performers, directors, and playwrights that for the first time had a national stage of their own upon which to showcase their skills. This book shows that they have succeeded, in triumph after triumph, for the past quarter of a century.
"Can I now, a white-haired man who gets into the movies at reduced cost, do I have any magic words left? Can I get a miracle? If I can recall my youth and understand it, that may be the miracle I seek now." When David Hays was 66 and had joined a synagogue for the first time in over fifty years, he decided to study Hebrew and be a bar mitzvah. And so this world-renowned theatrical designer, founder of the legendary National Theatre of the Deaf, father of two grown children and coauthor of the bestselling "My Old Man and the Sea," borrowed his grandson's beginner's Hebrew workbook and joined a class of twelve-year-olds. It launched a wondrous journey of faith and community. In "Today I Am a B...
Called "the theater conscience of our times," Eric Bentley has been both a leading critic and a playwright. Rallying Cries presents three of his best known works: Are You Now or Have You Ever Been, successfully staged around the world and on television; The Recantation of Galileo Galilei; and the controversial From the Memoirs of Pontius Pilate, a work initially rejected as insufficiently Christian by its commissioning theater but then successfully produced in New York at the Actors Studio and American Jewish Theater.
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