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Directory of Choral-Orchestral Music
The Directory of Choral-Orchestral Music is the most comprehensive index of music written for orchestra with chorus in print today.Offering performance information about choral works by more than 900 composers, the more than 3,500 entries include pertinent details such as instrumentation, languages, timings, publishers, and composer information in an easy-to-follow reference style. Users can also browse categorized appendices of works, chronological lists of composers, and an index of popular and original titles. From traditional masterworks to contemporary creations, this book presents an impressive variety of choral compositions and serves as both a research aid and practical performance reference.The first volume of its kind, The Directory of Choral-Orchestral Music is designed to meet the needs of professional directors, music educators and students of choral music. The author's hope is that it will broaden the choices available to programmers and performers, spur further research in the field of choral-orchestral music, and encourage composers, musicologists and performers alike to further explore this rich and varied body of musical literature.
Rethinking Mendelssohn
Building on the renaissance in Mendelssohn scholarship of the last two decades, Rethinking Mendelssohn critically engages with the composer's music and aesthetics, as well as the interpretation of his works in relation to contemporaneous culture.
Composer's Desk Reference for the Classic Guitar
Traditionally the classic guitar has been either excluded or inadequately represented in orchestration textbooks, resulting in much misinformation about its technique, its practicality in various performance contexts, and its character. the guitar's unique tuning, broad timbral variety and intimate nature pose a formidable challenge to non-guitarist composers, for whom an extensive amount of time would be required to gain even a minimal hands-on acquaintance. for most composers this is an unrealistic expectation, leading to time-consuming consultations and extensive drafting or rewriting.The purpose of this book is to provide the non-guitarist composer with the fundamental tools needed to write idiomatically for the guitar. the first of its kind for the guitar, the reference was written in consultation with dozens of composers and conceived with three types of end users in mind:•
Tanquary and Allied Families
A genealogy of the ancestry of Patrick Gordon Tanquary (b. 1922) whose parents are Fay Allen Tanquary (1892-1981) and Teresa Magdalene Zinner of Vermilion county, Ill.
The Choral Rehearsal
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My Music in London, 1945-2000
This book has an unusual structure. It begins with a review of the first concert given by the Amadeus Quartet and ends over fifty years later in 1999. What lies in between is a review of the post-war period in music mostly in London as seen and heard through the eyes and ears of one person. It is not a comprehensive review or an history. During these years John Amis had various jobs: critic, broadcaster, administrator, concert manager, lecturer, singer and he was a constant opera- and concert-goer. John met or worked with nearly all the important and less important (though not less interesting) musicians of our time. From 1948 to 1965 he was London Music Critic of The Scotsman and a contribu...
Early Music News
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