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The Machine that Sings
Examining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine That Sings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'
The Stressful Bitter Secretary
Ruthie's mother is terminally ill and she has to endure sexual harassment, pain and agony for several years to support her mother. Ruthie is a paralegal who has been looking for employment for almost two years. She finally got a job but it was far from what she expected. Her boss is obsessed with her and his wife does not have a clue as to what is really happening. Ruthie boss gave her a box of papers pertaining to a case and told her to read them. He said, "This will help you to become a better paralegal." Ruthie read and used those papers to her advantage to include in her book. She begins to feel sorry for her boss but Ruthie couldn't take it anymore and decides to take matters in her own hands. Somehow, her boss becomes ill. He ends up getting in a terrible accident and eventually dies. At the end, Ruthie and his wife understood the humiliation and pain she endured.
David Bottoms
The South has a long tradition of great writers who remain in the South, transforming the local landscape into a universal one. Currently Poet Laureate of Georgia, David Bottoms is one of the South's most revered poets. The fifteen critical essays in this collection set out to examine the images and themes revealed in his poetry and fiction. Topics include the role of rebirth and resurrection, the presence of faith in the poems, masculinity and gender, and race in the South.
I Stumbled Upon a Jewel
Virtually everything written in English about Buddhism has been written by scholars, ministers, or formal leaders, no matter whether it is Tibetan, Zen, Shin or any other Buddhist sect. This book is written by lay people about their own experiences with Shin Buddhism, which is after all, the Buddhism of the common people. The sangha or the community of fellow seekers is the backbone of Buddhism, providing a structure, encouragement, and nurturing of the development of one's beliefs, yet it is not represented in Buddhist literature. Perhaps it is understandable that this is so since Buddhism began as an oral tradition, at a time when few people besides scholars could read or write. However, i...
Sky Songs
Sky Songs is a collection of essays that takes inspiration from the ancient seabed in which Jennifer Sinor lives, an elemental landscape that reminds her that our lives are shaped by all that has passed through. Beginning with the conception of her first son, which coincided with the tragic death of her uncle on an Alaskan river, and ending a decade later in the Himalayan home of the Dalai Lama, Sinor offers a lyric exploration of language, love, and the promise inherent in the stories we tell: to remember. In these essays, Sinor takes us through the mountains, deserts, and rivers of the West and along with her on her travels to India. Whether rooted in the dailiness of raising children or practicing yoga, Sinor searches for the places where grace resides. The essays often weave several narrative threads together in the search for relationship and connection. A mother, writer, teacher, and yoga instructor, Sinor ultimately tackles the most difficult question: how to live in a broken world filled with both suffering and grace.
Lawyer Poets and that World We Call Law
All of the 40+ poets represented in this anthology either are or have been practicing lawyers and/or judges. Some are now working in academia, but most are still involved in law one way or another. In addition to those listed as authors on the title page of this amazon site, the anthology includes work by Paul Homer, Lawrence Joseph, Kenneth King, John Charles Kleefeld, Richard Krech, Bruce Laxalt, David Leightty, John Levy, Greg McBride, James McKenna, Betsy McKenzie, Joyce Meyers, Jesse Mountjoy, Tim Nolan, Simon Perchik, Carl Reisman, Charles Reynard, Steven M. Richman, Lee Robinson, Kristen Roedell, Barbara B. Rollins, Lawrence Russ, Michael Sowder, Ann Tweedy, Charles Williams, Kathleen Winte, and Warren Wolfson.
The Extraordinary Work of Ordinary Writing
Krutch’s trenchant observations about life prospering in the hostile environment of Arizona’s Sonoran Desert turn to weighty questions about humanity and the precariousness of our existence, putting lie to Western denials of mind in the “lower” forms of life: “Let us not say that this animal or even this plant has ‘become adapted’ to desert conditions. Let us say rather that they have all shown courage and ingenuity in making the best of the world as they found it. And let us remember that if to use such terms in connection with them is a fallacy then it can only be somewhat less a fallacy to use the same terms in connection with ourselves.”
No Place for Home
This book was written to venture beyond interpretations of Cormac McCarthy's characters as simple, antinomian, and non-psychological; and of his landscapes as unrelated to the violent arcs of often orphaned and always emotionally isolated and socially detached characters. As McCarthy usually eschews direct indications of psychology, his landscapes allow us to infer much about their motivations. The relationship of ambivalent nostalgia for domesticity to McCarthy's descriptions of space remains relatively unexamined at book length, and through less theoretical application than close reading. By including McCarthy's latest book, this study offer the only complete study of all nine novels. Within McCarthy studies, this book extends and complicates a growing interest in space and domesticity in his work. The author combines a high regard for McCarthy's stylistic prowess with a provocative reading of how his own psychological habits around gender issues and family relations power books that only appear to be stories of masculine heroics, expressions of misogynistic fear, or antinomian rejections of civilized life.
Leaves of Grass, 1860
In May 1860, Walt Whitman published a third edition of Leaves of Grass. His timing was compelling. Printed during a period of regional, ideological, and political divisions, written by a poet intimately concerned with the idea of a United States as “essentially the greatest poem,” this new edition was Whitman’s last best hope for national salvation. Now available in a facsimile edition, Leaves of Grass, 1860 faithfully reproduces Whitman’s attempt to create a “Great construction of the New Bible” to save the nation on the eve of civil war and, for the first time, frames the book in historical rather than literary terms. In his third edition, Whitman added 146 new poems to the 32 ...
