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Visual Perception
Vision is our most dominant sense, from which we derive most of our information about the world. From the light that enters the eye and the processing in the brain that follows we can sense where things are, how they move and what they are. The first edition of Visual Perception took a refreshingly different approach to perception, starting from the function that vision serves for an active observer in a three-dimensional environment. This fully revised and expanded new edition continues this approach in contrast to the traditional textbook treatment of vision as a catalogue of phenomena. Following a general introduction to the main theoretical approaches, the authors discuss the historical ...
Visual Perception
This work covers the perception of location, motion and object recognition, and places the study of vision in its historical context. The machinery of vision is also described.
Visual Perception
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The Motion Aftereffect
Motion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE) is the appearance of directional movement in a stationary object or scene after the viewer has been exposed to viusal motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when one's gaze is transfered to it. Although the phenomenon seems simple, research has revealed copmlexities in the underlying mechanisms, and offered general lessons about how the brain processes visual information. In the 1990s alone, more than 200 papers have been published on MAE, largely inspired by improved techniques for examining brain electrophysiology and by emerging new theories of motion perception.
Rethinking the Novel/Film Debate
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Worldviews, Science and Us
Scientific, technological, and cultural changes have always had an impact upon philosophy. They can force a change in the way we perceive the world, reveal new kinds of phenomena to be understood, and provide new ways of understanding phenomena. Complexity science, immersed in a culture of information, is having a diverse but particularly significant impact upon philosophy. Previous ideas do not necessarily sit comfortably with the new paradigm, resulting in new ideas or new interpretations of old ideas. In this unprecedented interdisciplinary volume, researchers from different backgrounds join efforts to update thinking upon philosophical questions with developments in the scientific study of complex systems. The contributions focus on a wide range of topics, but share the common goal of increasing our understanding and improving our descriptions of our complex world. This revolutionary debate includes contributions from leading experts, as well as young researchers proposing fresh ideas.
Merleau-Ponty in Contemporary Context
This volume presents the work of Maurice Merleau-Ponty, a great philosopher and social theorist of mid-twentieth century, as a viable alternative to both modernism and postmodernism. Douglas Low argues that Merleau-Ponty's philosophy offers explanations and solves problems that other philosophies grapple with, but do not resolve, given their respective theoretical presuppositions and assumptions. Low brings the work of Merleau-Ponty into critical contact with important thinkers, including Sartre, Heidegger, Derrida, and Marx. He highlights Merleau-Ponty's connection to the early Hegel, especially with regard to the criticism of modernism's "representational consciousness" and its subsequent ...
Optiques
Andrea Goulet takes the study of the novel into the realm of the visual by situating it in the context of nineteenth-century scientific and philosophical discourse about the nature of sight. She argues that French realism, detective fiction, science fiction, and literature of the fantastic from 1830 to 1910 reflected competition between two modern visual modes: a not-yet-outdated idealism and an empiricism that located truth in the body. More specifically, the book argues that key narrative forms of the nineteenth century were shaped by a set of scientific debates: between idealism and materialism in Honoré Balzac's Comédie humaine, between deduction and induction in early French detective...
Visual Perception
Vision is our most dominant sense, from which we derive most of our information about the world. From the light that enters the eye and the processing in the brain that follows, we can sense where things are, how they move and what they are. The first edition of Visual Perception took a refreshingly different approach, to perception, starting from the function that vision serves for an active observer in a three-dimensional environment. In this second edition Nicholas Wade and Michael Swanston have continued this approach in contrast to many traditional textbook treatments of vision as a catal.
