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The Motion Aftereffect
Motion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE) is the appearance of directional movement in a stationary object or scene after the viewer has been exposed to viusal motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when one's gaze is transfered to it. Although the phenomenon seems simple, research has revealed copmlexities in the underlying mechanisms, and offered general lessons about how the brain processes visual information. In the 1990s alone, more than 200 papers have been published on MAE, largely inspired by improved techniques for examining brain electrophysiology and by emerging new theories of motion perception.
Living on an Arc
Brent Wilson fled the rat race of the Developed World and moved to Nevis, one of the Caribbean's tiniest and least-developed islands. He took just a few, simple possessions: a suitcase filled with underwear, a copy of Robinson Crusoe, and some string. Brent discovered that Caribbean life is not all sun, rum and sand. His arrival coincided with Hurricane Hugo, and he encountered tarantulas in his toilet and scorpions in his bed. He could barely understand the islanders, and during his first years on Nevis grew close to a nineteen-year-old woman dead over three hundred years. But Brent stuck it out while watching other hopefuls come and go, beaten by the realities of tropical life. Eventually he even managed to find that most unlikely of things--a real, live woman prepared to put up with him. This is an account of Brent's years on Nevis, and how he finally had to choose between Jacqui, the woman he had found, and Nevis, the island he had come to love.
Rethinking the Novel/Film Debate
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The Men and the Boys
In recent years, questions about men and boys have aroused remarkable media interest, public concern and controversy. Across the world, health services are noticing the relevance of men’s gender to problems as diverse as road accidents, diet and sexually transmitted disease. Teachers are increasingly preoccupied with the poor educational performance of boys, and criminologists have begun to explore why men and boys continue to dominate the crime statistics. In this timely new volume, one of the world’s leading authorities on masculinity helps us to understand these developments, and make sense of the multiplying issues about men and boys. Five years on from the publication of the seminal study Masculinities, this book reflects on the growing social scientific research in this area. Connell assesses its strengths and weaknesses and explores its implications for contemporary problems from boys’ education and men’s health to international peacemaking. Written in a lively and accessible way, this book will be essential reading for all students of sociology, politics and gender studies, as well as anyone interested in the future of gender relations.
The Science of Imaging
Edited and expanded to keep pace with the digital revolution, the new edition of this highly popular and critically acclaimed work provides a comprehensive exploration of imaging science. Brilliantly written and extensively illustrated, The Science of Imaging: An Introduction, Second Edition covers the fundamental laws of physics as well as the cut
The Scientists
Who made us see the atom, our minds, our planet and the universe afresh? How did we uncover the mysteries of life on earth? What next? The theories, discoveries and inventions of scientists have revolutionized our consciousness. Think of gravity, evolution, relativity, radioactivity and the Big Bang; electric motors, vaccines, nuclear power and computers. Behind these breakthroughs lie the personal stories of men and women with vision and determination: singular thinkers who defied adversity in their quest for answers. This book tells the remarkable lives of the pioneers from Galileo, Faraday and Darwin, through Pasteur and Marie Curie, to Einstein, Freud and Turing. Written by an international team of distinguished scientists, historians and science writers, it will intrigue budding scientists; those fascinated by the lives of great individuals; and anyone curious to know how we came to understand the exterior world and the pulse of life within.
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Showing Off!
Drawing on art, media, and phenomenological sources, Showing Off!: A Philosophy of Image challenges much recent thought by proposing a fundamentally positive relationship between visuality and the ethical. In philosophy, cultural studies and art, relationships between visuality and the ethical are usually theorized in negative terms, according to the dyadic logics of seeing on the one hand, and being seen, on the other. Here, agency and power are assumed to operate either on the side of those who see, or on the side of those who control the means by which people and things enter into visibility. To be seen, by contrast - when it occurs outside of those parameters of control- is to be at a di...
Vision in Context
Vision and the gaze are key issues in the analysis of racism, sexism and ethnocentrism. In recent radical theory, generally, and French theory in particular, vision has been seen as a means of control. But this view is often unnuanced. It bypasses questions such as: Why is it that contemporary theories have been so critical of vision, and generous towards listening (in psychoanalysis) and language (in philosophy)? This collection of original essays brings together historical studies and contemporary theoretical perspectives on vision. The historical papers focus in turn on Ancient Greece, medieval theology, the Renaissance, the Enlightenment and the nineteenth century. These historical studies are themselves thoroughly informed by poststructuralist theory. They provide a rigorous background for several new, exciting articles on vision and its bearings for feminism, race, sexual orientation, film and art. This collection is the first of its kind in juxtaposing historical and contemporary
Representations of Vision
This stimulating volume on vision extends well beyond the traditional areas of vision research and places the subject in a much broader philosophical context. The emphasis throughout is to integrate and illuminate the visual process. The first three parts of the volume provide authoritative overviews on computational vision and neural networks, on the neurophysiology of visual cortex processing, and on eye-movement research. Each of these parts illustrates how different research perspectives may jointly solve fundamental problems related to the efficiency of visual perception, to the relationship between vision and eye-movements and to the neurophysiological 'codes' underlying our visual perceptions. In the fourth part, leading vision scientists introduce the reader to some major philosophical problems in vision research such as the nature of 'ultimate' codes for perceptual events, the duality of psycho-physics, the bases of visual recognition and the paradigmatic foundations of computer-vision research.
