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As Atlanta evolved from a sleepy, backwater, 19th-century frontier railroad town into a 21st-century international metropolis, Jewish men and women significantly contributed to the rich tapestry of the "Gate City of the South." The commercial infrastructure of the expanding city was greatly enhanced through numerous small businesses established by Jewish merchants, some of which became major players in various industries. Many of Atlanta's most recognizable icons--The Coca-Cola Company, Georgia Institute of Technology, and the Atlanta Braves--originated, in part, thanks to support from visionary leaders in the Jewish community. While there are many success stories throughout Atlanta's Jewish history, there are also dark episodes of blatant antisemitism that traumatized the community and had national implications. The lynching of Leo M. Frank; the bombing of the city's historic synagogue, the Hebrew Benevolent Congregation; and the deliberate expulsion of Jewish students from Emory University Dental School marred Atlanta's self-proclaimed reputation as "The City Too Busy to Hate."
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Summary: This book puts history back into the history of art. It approaches the British and Irish art worlds from the historical viewpoint, avoiding theories unsupported by facts. By studying the intricate mechanisms whereby artists turned oil on canvas into money - or not - the book explains how artists' reputations were made or broken. Individual artists discussed include Francis Bacon, Lucian Freud, Henry Moore, John Piper, Graham Sutherland, Jacob Epstein, Ben Nicholson, Barbara Hepworth and many more. Readers will be startled and intrigued to find how such artists fought to survive amid the network of powerful individuals, critics and gallery owners that controlled their destinies.