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Reframing Rembrandt
"This book embeds Rembrandt's art in the pluralistic religious context of seventeenth-century Amsterdam, arguing for the restoration of this historical dimension to contemporary discussions of the artists. By incorporating this perspective, Zell confirms and revises one of the most forceful myths attached to Rembrandt's art and life: his presumed attraction and sensitivity to the Jews of early modern Amsterdam."--BOOK JACKET.
Run Baby Run
Criminologist Bobby Delery has just returned to New Orleans after decades away, and NOPD is begging for his help to find almost a million dollars stolen from a French Quarter club. He's only one of many after the money, though. Thieves, church-goers and everyone else ride the sweaty pace from the Ninth Ward to the foot of Canal Street. With Run Baby Run's compelling mix of gritty realism and dark humor, Michael Allen Zell inaugurates the Bobby Delery series and does for New Orleans what Chester Himes did for Harlem and Dashiell Hammett did for San Francisco.
Early Modern Kent, 1540-1640
Early Modern Kent offers an accessible but scholarly introduction to the country's history during a century of extraordinary change."--BOOK JACKET.
Ut pictura amor
Ut pictura amor: The Reflexive Imagery of Love in Artistic Theory and Practice, 1500-1700 examines the related themes of lovemaking and image-making in the visual arts of Europe, China, Japan, and Persia. The term ‘reflexive’ is here used to refer to images that invite reflection not only on their form, function, and meaning, but also on their genesis and mode of production. Early modern artists often fashioned reflexive images and effigies of this kind, that appraise love by exploring the lineaments of the pictorial or sculptural image, and complementarily, appraise the pictorial or sculptural image by exploring the nature of love. Hence the book’s epigraph—ut pictura amor—‘as is a picture, so is love’.
Rembrandt's Faith: Church and Temple in the Dutch Golden Age
"An art historical study of Rembrandt's use of religious imagery, arranged by subject matter. Demonstrates the new ideas the artist brought to his interpretations of the Jerusalem Temple and the apostolate church, as he explored the relationship between Jewish and Christian revelation in biblical history"--Provided by publisher.
Pieties in Transition
This significant and innovative collection explores the changing piety of townspeople and villagers before, during and after the Reformation. It brings together leading and new scholars from England and the Netherlands to present new research on a subject of importance to historians of society and religion in late medieval and early modern Europe. Contributors examine the diverse evidence for transitions in piety and the processes of these changes. The volume incorporates a range of approaches including social, cultural and religious history, literary and manuscript studies, social anthropology and archaeology. This is, therefore, an interdisciplinary volume that constitutes a cultural histo...
The Correspondence of Reginald Pole: A biographical companion: the British Isles
Reginald Pole (1500-1558), cardinal and archbishop of Canterbury, was at the centre of reform controversies in the mid 16th century. This, the fourth volume in the series, provides a biographical companion to all persons in the British Isles mentioned in his correspondence, and constitutes a major research tool in its own right.
Rembrandt, Vermeer, and the Gift in Seventeenth-Century Dutch Art
This book offers a new perspective on the art of the Dutch Golden Age by exploring the interaction between the gift's symbolic economy of reciprocity and obligation and the artistic culture of early modern Holland. Gifts of art were pervasive in seventeenth-century Europe and many Dutch artists, like their counterparts elsewhere, embraced gift giving to cultivate relations with patrons, art lovers, and other members of their social networks. Rembrandt also created distinctive works to function within a context of gift exchange, and both Rembrandt and Vermeer engaged the ethics of the gift to identify their creative labor as motivated by what contemporaries called a "love of art," not materialistic gain. In the merchant republic's vibrant market for art, networks of gift relations and the anti-economic rhetoric of the gift mingled with the growing dimension of commerce, revealing a unique chapter in the interconnected history of gift giving and art making.
The Language of Abuse
The Language of Abuse provides the first comprehensive examination of marital violence in later medieval England. Drawing from a wide variety of legal and literary sources, this book develops a nuanced perspective of the acceptability of marital violence at a time when social expectations of gender and marriage were in transition. As such, Butler’s work contributes to current debates concerning the role of the jury, levels of violence in late medieval England, the power relationship within marriage, and the position of women in medieval society.
Brothers in Pen: The Ninth Annual Public Reading
Once a year the San Quentin Wednesday Night Creative Writing Class, a.k.a. Brothers in Pen, holds an Annual Public Reading where an outside audience is invited in, along with other men in blue, to listen to five-minute pieces crafted by the writers especially for this event. For weeks in advance, the writing and revision process is underway, and the authors also push each other to improve in the particular skill of reading a story aloud. This book represents the product of that labor in an event which took place in the ARC building on the lower yard of San Quentin State Prison on November 15, 2014. It was the ninth such event in the history of this particular class. The stories in their written form have a different kind of life than they do when read aloud by thier authors, but are no less worthwhile.
