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This Is My Body
The recipient of the annual Award for Outstanding Book in Theatre Practice and Pedagogy from the Association for Theatre in Higher Education, This Is My Body realigns representational practices in the early Middle Ages with current debates on the nature of representation. Michal Kobialkai's study views the medieval concept of representation as having been in flux and crossed by different modes of seeing, until it was stabilized by the constitutions of the Fourth Lateran Council in 1215. Kobialka argues that the concept of representation in the early Middle Ages had little to do with the tradition that considers representation in terms of Aristotle or Plato; rather, it was enshrined in the interpretation of Hoc est corpus meum [This is my body] -- the words spoken by Christ to the apostles at the Last Supper -- and in establishing the visibility of the body of Christ that had disappeared from view. Michal Kobialka is Professor in the Department of Theatre Arts and Dance at the University of Minnesota.
O Sing unto the Lord
Andrew Gant's compelling account traces English church music from Anglo-Saxon origins to the present. It is a history of the music and of the people who made, sang and listened to it. It shows the role church music has played in ordinary lives and how it reflects those lives back to us. The author considers why church music remains so popular and frequently tops the classical charts and why the BBC's Choral Evensong remains the longest-running radio series ever. He shows how England's church music follows the contours of its history and is the soundtrack of its changing politics and culture, from the mysteries of the Mass to the elegant decorum of the Restoration anthem, from stern Puritanism to Victorian bombast, and thence to the fractured worlds of the twentieth century as heard in the music of Vaughan Williams and Britten. This is a book for everyone interested in the history of English music, culture and society.
The Origin of Medieval Drama
It has been widely accepted that the 10th-century liturgical plays developed naturally as a religious entity from the Mass. This approach is critiqued in The Origin of Medieval Drama where Leonard Goldstein places the development of the plays within the socio-economic context of the period, most notably the rapid rise of feudalism. Goldstein argues that the plays were a response by the Church to a decline in faith brought on by the burdens of feudalism on the peasantry. However, instead of revitalising faith, the plays which sought to assure the peasantry of their salvation actually represented and therefore reinforced the emerging private property relation. In looking at the origins of ancient Greek drama where scholars have concentrated more on social and cultural issues, Goldstein develops a Marxist model for the origins of medieval drama.
Medieval Practices of Space
The contributors to this volume cross disciplinary and theoretical boundaries to read the words, metaphors, images, signs, poetic illusions, and identities with which medieval men and women used space and place to add meaning to the world.
Haller's Polish Army in France
"The Polish Army in France (Armia Polska Francyi) -- commonly known as Haller's Army (Armia Hallera), in recognition of their commanding general, and the Blue Army, named for their French-issued blue uniforms - was a volunteer army recruited from 47 centers and camp Niagara in the United States and Canada, starting in October 1917 and ending in March 1919. This fighting force was comprised predominantly of Polish nationals living in the United States and Canada who volunteered to fight in France towards the last year of World War I, and to continue fighting in Poland for its independence from all neighboring governments. What started out as part of the Great War to end all wars, ended up as the Polish-Soviet War of 1919-1921"--Page 15.
Monsters of Architecture
A collection of articles from the publication Medievalia et Humanistica which devotes itself specifically to medieval and Renaissance culture. Topics considered include The Knight's Tale, the Florentine Renaissance and the nobility of later medieval England.
Further On, Nothing
Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.
MLA International Bibliography of Books and Articles on the Modern Languages and Literatures
Vols. for 1969- include ACTFL annual bibliography of books and articles on pedagogy in foreign languages 1969-
