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The Quarterly review
  • Language: en
  • Pages: 608

The Quarterly review

  • Type: Book
  • -
  • Published: 1836
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  • Publisher: Unknown

None

the modern literature of france
  • Language: en
  • Pages: 326

the modern literature of france

  • Type: Book
  • -
  • Published: 1839
  • -
  • Publisher: Unknown

None

Athenaeum and Literary Chronicle
  • Language: en
  • Pages: 976

Athenaeum and Literary Chronicle

  • Type: Book
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  • Published: 1837
  • -
  • Publisher: Unknown

None

TID.
  • Language: en
  • Pages: 74

TID.

  • Type: Book
  • -
  • Published: 1959
  • -
  • Publisher: Unknown

None

Methods of Biochemical Analysis
  • Language: en
  • Pages: 450

Methods of Biochemical Analysis

Biochemical analysis is a rapidly expanding field and is a key component of modern drug discovery and research. Methods of Biochemical Analysis provides a periodic and authoritative review of the latest achievements in biochemical analysis. Founded in 1954 by Professor David Glick, Methods of Biochemical Analysis provides a timely review of the latest developments in the field.

The Modern Literature of France ... Second Edition
  • Language: en
  • Pages: 328

The Modern Literature of France ... Second Edition

  • Type: Book
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  • Published: 1841
  • -
  • Publisher: Unknown

None

Victor Hugo
  • Language: en
  • Pages: 326

Victor Hugo

  • Type: Book
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  • Published: 1839
  • -
  • Publisher: Unknown

None

Photo-texts
  • Language: en
  • Pages: 257

Photo-texts

What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.

French XX Bibliography
  • Language: en
  • Pages: 424

French XX Bibliography

Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.