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2013 Christy Award winner! Years of Nazi occupation have stolen much from Brigitte Durand. Family. Freedom. Hope for a future, especially for a woman with a past like hers. But that changes the day American fighter pilot Tom Jaeger is shot down over occupied France. Picked up by the Resistance, Tom becomes the linchpin in their plan to infiltrate a Germans-only brothel and get critical intel out through Brigitte, a prostitute rumored to be sympathetic to the Allied cause. D-day looms and everyone knows that invasion is imminent. But so is treachery, and the life of one American pilot unexpectedly jeopardizes everything. He becomes more important than the mission to a man who cannot bear to lose another agent and to a woman who is more than just a prostitute, who finally realizes that her actions could change the course of history.
On his famous walk to Vincennes to visit the imprisoned Diderot, Rousseau had what he called an “illumination”—the realization that man was naturally good but becomes corrupted by the influence of society—a fundamental change in Rousseau’s perspective that would animate all of his subsequent works. At that moment, Rousseau “saw” something he had hitherto not seen, and he made it his mission to help his readers share that vision through an array of rhetorical and literary techniques. In Rousseau’s Reader, John T. Scott looks at the different strategies Rousseau used to engage and persuade the readers of his major philosophical works, including the Social Contract, Discourse on...
Rousseau's Hand explores Rousseau's involvement in and promotion of craft in the context of the technological developments of the Enlightenment and his own European celebrity as a writer.
At a time when the relevance of literary theory itself is frequently being questioned, Richard Wilson makes a compelling case for French Theory in Shakespeare Studies. Written in two parts, the first half looks at how French theorists such as Bourdieu, Cixous, Deleuze, Derrida and Foucault were themselves shaped by reading Shakespeare; while the second part applies their theories to the plays, highlighting the importance of both for current debates about borders, terrorism, toleration and a multi-cultural Europe. Contrasting French and Anglo-Saxon attitudes, Wilson shows how in France, Shakespeare has been seen not as a man for the monarchy, but a man of the mob. French Theory thus helps us understand why Shakepeare’s plays swing between violence and hope. Highlighting the recent religious turn in theory, Wilson encourages a reading of plays like Hamlet, Julius Caesar, A Midsummer Night’s Dream and Twelth Night as models for a future peace. Examining both the violent history and promising future of the plays, Shakespeare in French Theory is a timely reminder of the relevance of Shakespeare and the lasting value of French thinking for the democracy to come.
The English translation of a behind-the-scenes account of the abolition of the death penalty in France