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The Companion to Said Nursi Studies
Contemporary Islamic theology remains a neglected area in studies on Islam. This work is dedicated to the thought and ideas of Said Nursi (1876-1960), one of the most prominent Muslim theologians of the twentieth century. Nursi inspired a faith movement--the Nur community--that originated in Turkey. It continues to play a key role in the revival of Islam and now numbers several millions of followers worldwide. His legacy and impact deserve therefore to be examined more closely. This volume is the most substantial overview in English of the inspiration of Said Nursi and his masterpiece the Risale-i Nur. In the beginning, the essays provide the reader with Nursi's historical context and biography. Then Nursi's theological views, his understanding of society, and ideas on politics are placed under the spotlight. Over the last twenty years, more and more comparative religion specialists in the West have become acquainted with Said Nursi. Nursi studies is now an established discipline, and this volume is a celebration of that reality. As it reveals, Muslims and Christians are grappling with the wisdom of this remarkable, rich thinker.
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CET OUVRAGE A POUR VOCATION D'EXPLICITER LES FONDAMENTAUX DE TOUT BUSINESS PLAN, D'EN PRECISER LA DEMARCHE DE CONSTRUCTION, D'ABORDER DES CAS CONCRETS, ET DE SOULIGNER SES NECESSAIRES ACTUALISATIONS.
Congressional Record
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
Citing China
Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers “cite” China on screen. Author Gina Marchetti’s aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China’s position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversat...
