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Old Myths-modern Empires
This study gives substantial coverage and close critical attention to a wide range of Coetzee's published writings, in the attempt to situate his oeuvre within the framework of both postmodernist and postcolonial theory and criticism. In addition, it links the political and social aspects of Coetzee's work, its South African provenance and its often oblique engagement with contemporary issues, with formal questions regarding structure, rhetoric and narrative strategies as tackled in his novels. By approaching Coetzee's fiction from a variety of critical angles and taking into account both the transformations in the socio-political context of South Africa, and the recent changes in critical reception (exemplified by the Nobel Prize he was awarded in 2003) this book therefore offers a thorough assessment of the author's oeuvre.
European Intertexts
European Intertexts is the first fruit of an ongoing collaborative study aiming to challenge the isolationism of much critical work on English literature by exploring the interdependence of English and continental European literatures in writing by women. While later volumes will deal with specific texts, this introductory volume provides a descriptive framework and a theoretical basis for studies in the field. Covering issues such as the role of English as a world language, the definition of 'Europe', and the current state of Translation Studies, the book also surveys theories of intertextuality and demonstrates intertextual links between written and visual and film texts. This book is itself pioneering in making a systematic approach to women's writings in English in the context of other European cultures. Although Europe is a political reality, this cultural interpenetration remains largely unexamined, and these essays represent an important first step towards revealing that unexplored richness.
Surrealism
This collection of essays, inspired by André Breton's concept of the limites non-frontières of Surrealism, focuses on the crossings, intersections and margins of the surrealist movement rather than its divides and exclusion zones. Some of the essays originated as papers given at the colloquium 'Surrealism: Crossings/Frontiers' held at the Institute of Romance Studies, University of London, in November 2001. Surrealism is foregrounded as a trajectory rather than a fixed body of doctrines, radically challenging the notion of frontiers. The essays explore real and imaginary journeys, as well as the urban dérives of the surrealists and situationists. The concept of crossing, central to a read...
Christine Brooke-Rose
British-born experimental writer Christine Brooke-Rose puzzled numerous critics, theoreticians, and writers as she overturned opinions continuously struggling to outline her fractal identity. The present book boldly outlines and settles the ambiguities of Christine Brooke-Rose’s split identity, originating in the psychoanalytical, aesthetic, and authorial confusion of a writer who took delight in challenging readers with highly experimental novels. This study highlights the chameleonic features of the Brooke-Rosean narrative in an audaciously exhaustive and original attempt to chart the author’s lipogrammic narrative discourse, its unifying intertextual yet anamorphic web, and its fictional characters.
Narrating the Self in Early Modern Europe- L'écriture de Soi Dans L'Europe Moderne
The authors of the 16 essays collected in this volume use a variety of approaches to study a broad range of what are now called 'ego-documents' from the Renaissance to the beginning of the 19th century.
Border Crossings
This volume assesses the importance of border crossings in the evolution of European culture and identity, as reflected in the work of modern European writers and film-makers. Contributors chart the processes of transition from stability to change, from the known to the culturally unsettled, treating the themes of migration, exile, allegiance and belonging, journey, marginality, the legacy of war and displacement, memory and the denial of memory. What emerges is a cross-disciplinary reappraisal of the concept of identity, in which fixity is replaced by movement, and in which the dynamic process of story-telling, with its narratives of migration, exile, and borders crossed, mirrors the shifting and nomadic pluralities of modern existence.
Europe in British Literature and Culture
How has Europe shaped British literature and culture – and vice versa – since the Middle Ages? This volume offers nuanced answers to this question. From the High Renaissance to haute cuisine, from the Republic of Letters to the European Union, from the Black Death to Brexit -- the reader gains insights into the main geographical zones of influence, shared intellectual movements, indicative modes of cultural transfer and more recent conflicts that have left their mark on the British-European relationship. The story that emerges from this long history of cultural interactions is much more complex than its most recent political episode might suggest. This volume offers indispensable contexts to the manifold and longstanding connections between British and European literature and culture. This book suggests that, however the political landscape develops, we will do well to bear this exceptionally rich history in mind.
Leonardo Sciascia's French Authors
Sciascia frequently alludes to French authors, and is often taken to have a close relationship with French literature in general. However, academic critics have never given this important relationship comprehensive and detailed examination. This book focuses on the most relevant French writers. For the majority, attention falls on two complementary areas: the opinions that Sciascia expresses about the writer in his essays; and intertextual allusions to the writer in Sciascia's fiction. These allusions often shift the meaning of the host text or markedly increase its impact. This book works on the assumption that, in order to analyse these effects fully, a careful reading of the relevant French texts is needed. This exploration leads to a reappraisal of Sciascia's relations both with particular French authors and also with French literature generally.
Nations, Traditions and Cross-cultural Identities
The notion of citizenship is part of a national collective memory and a memory of individuals belonging to a specific geographical, historical and cultural context. The volume seeks to investigate the importance of women's relationship with citizenship and nationality from a diachronic perspective analysing different forms of writing in various European contexts. Many themes intersect in the different essays that comprise the volume, including the construction of female identity through religious ideology, the importance of translation and cultural studies as a source of feminine knowledge, and the relationship between public life and private domain within the multiculturalism of Europe. The intersection between national identity, women's writings and cultural difference surfaces in many essays and demonstrates how the notion of a necessary translation between cultures has been central for women authors since the seventeenth century.
British Experimental Women’s Fiction, 1945—1975
This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.
